Ripper2860
Headphoneus Supremus
Come on! Everyone knows Kindergarten Cop was Arnold's best movie!Nah Commando is his best film for one liners
Come on! Everyone knows Kindergarten Cop was Arnold's best movie!Nah Commando is his best film for one liners
You'll be receiving a DMCA take-down notice from my attorney for unauthorized use of my elementary school class pic.You're doing it wrong:
I agree, and furthermore, while I may be dense, I fail to see the compelling use case for fully digital volume attenuation in a system that by every definition must eventually output analog sound waves. Even if there is a compelling use case, I would imagine that it would best be done in software (such as embedded in a music player app) rather than in hardware. Again, I may be missing something important and if so I apologize for my ignorance.
The use case I see is much like the use case for the transformer volume control also mentioned just a couple pages ago: attenuation with neither the drawbacks of normal passive attenuation nor the drawbacks of adding another active stage.I have a DAC with a digital volume control, which I think is mostly there to allow for no preamp in a 2ch system. Do I ever use the digital volume? Nope
I must have missed that part.I don't see digital volume theory as being gender-specific.
The use case I see is much like the use case for the transformer volume control also mentioned just a couple pages ago: attenuation with neither the drawbacks of normal passive attenuation nor the drawbacks of adding another active stage.
Useful when the gain of the system is just way too much, or in the pursuit of having the least stuff in the signal path.
Or fully digital amplification, "power DAC" style, which I see as the ultimate result of removing stuff in the signal path. Is that a path to audio nirvana? Rarely, but sometimes, in my admittedly limited experience.
But, volume control is one of the interaction points with a hifi system. It needs to be satisfying to use. I think both the large 2 dB steps of the transformer and a you're-not-getting-exactly-what-you-asked-for digital control has major drawbacks in this department.
In conclusion, I would use these technologies for extra attenuation, to reach low volumes, to get into the nice range of the potentiometer - but I wouldn't use them as my main volume control. YMMV.
Doesn't work for me, doesn't have good enough control over a large enough range. There is almost 70 dB, for me, between quietly listening to a loud track and loudly listening to the spectacular christmas track I posted a few pages ago. In both cases I want to fine-tune the volume with sub-dB precision and I want no noise, no channel imbalance, no funny business. Gain settings can sometimes resolve this but are exceedingly rare in speaker systems.No. Not multiple sequential volume control stages. One, analog, done! In my opinion.
Will you consider to make a passive (no electronics) volume control with good Alps attenuator plus several inputs/ outputs with XLR/SE in a 9" chassis? may be call it SYS+.
We've considered this, but I'm not convinced its a product. Fairly expensive with a good pot and good selection switches. Might get close to $200. Ouch.
Old? I like to think of a favorite singer of mine from the country side to answer that question: "As good as I once was"Yes!! This and Deep Purple's 'Made in Japan' still remain my 2 fav live albums. (Deep Purple?? Yeah, I'm old.)
Doesn't work for me, doesn't have good enough control over a large enough range. There is almost 70 dB, for me, between quietly listening to a loud track and loudly listening to the spectacular christmas track I posted a few pages ago. In both cases I want to fine-tune the volume with sub-dB precision and I want no noise, no channel imbalance, no funny business. Gain settings can sometimes resolve this but are exceedingly rare in speaker systems.
There are some (me), who wouldn't touch Apple stuff with a 10 foot pole. I don't do proprietary anything, plus, I hate the ghost of Steve Jobs.That's pretty much my trajectory, too. The Hackintosh days are far in the rear-view mirror. Apple silicone is just that much better.
Or, add a tube amp with a preamp. Tailor your tubes to your desired sound.Suggestion for 2025: A Jotenhiem 3 with a quieter, smoother sounding HIGH GAIN setting that sounds as good as the current Jotenhiem 2's LOW GAIN setting.
If you make your own cables, you'd prefer mini XLR. Yea, I can solder Pentacon, but it's a chore. I've always liked the little (solder) cups on XLR (mini or full). I think it makes a better connect.One could say the same thing about Pentacon. Whatever if ever Jason goes with a mini balanced connector, I will get to needed adapter cable or just pass on the product.
** For the record, I personally prefer Pentacon.
There is no such thing as fully digital amplification. Sooner or later you need to convert from digital to analog to feed the speakers. And attenuation is much better when done to the signal at that point.Or fully digital amplification, "power DAC" style, which I see as the ultimate result of removing stuff in the signal path. Is that a path to audio nirvana? Rarely, but sometimes, in my admittedly limited experience.
This is what happens when you're not around to supervise. I'd recommend you make more frequent visits to keep @Ripper2860 in line.Jeeze I stop back for a moment to say hi and this is the discussion? Gender specific audio porn?