musicmaker
1000+ Head-Fier
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Just purchased one new and its due to arrive in a couple days. Can't wait.
Mine was due today but at this point it doesn't look like it will arrive anytime soon. I ordered from ZenPro Audio which I suggest people stay away from. They shipped it USPS which on their website it states they only ship very small items under a pound or two through USPS and everything else FedEx. If I knew they would ship such a valuable item through the post, I would've upgraded the shipping. The item shipped from South Carolina to DC which is about 6 1/2 hours away by car yet my DAC is currently in Chicago moving from from one station to another.RME ADI-2 DAC seems to provide so much quality and flexibility that it prompted me to purchase one new and its due to arrive tomorrow. .
That's nuts. SC to DC by way of Chicago? Not sure how the hell USPS figured that's the best route to your home.Mine was due today but at this point it doesn't look like it will arrive anytime soon. I ordered from ZenPro Audio which I suggest people stay away from. They shipped it USPS which on their website it states they only ship very small items under a pound or two through USPS and everything else FedEx. If I knew they would ship such a valuable item through the post, I would've upgraded the shipping. The item shipped from South Carolina to DC which is about 6 1/2 hours away by car yet my DAC is currently in Chicago moving from from one station to another.
I should've known better though. Over a month ago I preordered the same item from them but about a day before it was due to be in stock they emailed to inform me that it wouldn't be. They said the preauth on my credit card had expired and they wanted to run it again (for purchase, not auth) yet they didn't know for sure when the item would come into stock. At that point I said I was no longer interested.
Yeah. What pisses me off the most though, is when I contacted ZenPro to express my concern they were dismissive and suggested that I use FedEx the next time I order something from them. I've bought a lot of professional gear over the years from places like Sweetwater and B&H, yet never experienced them shipping via USPS or putting the blame on me for the company going against its stated policy.That's nuts. SC to DC by way of Chicago? Not sure how the hell USPS figured that's the best route to your home.
Yeah that sucks. Hopefully it arrives safe. As an expat living in Germany and seeing all those American news reports and online videos of packages "delivered' to someone's doorstep only to be stolen soon after, it makes me wonder how this happens so often.Yeah. What pisses me off the most though, is when I contacted ZenPro to express my concern they were dismissive and suggested that I use FedEx the next time I order something from them. I've bought a lot of professional gear over the years from places like Sweetwater and B&H, yet never experienced them shipping via USPS or putting the blame on me for the company going against its stated policy.
Anyone familiar with NOS dacs care to comment on how close the ADI-2 Dac’s NOS filter setting gets to sounding like the real thing? I’ve only ever had delta sigma dacs and I’m thinking of taking the NOS plunge. Not to replace my ADI-2 but to complement it in my setup.
What makes the Holo superior 'in every way in' your opinion? Would be nice to hear some specific details about the differences.I have a Holo Sprint L3 Kitsune R2R NOS dac. The NOS filter in the ADI-2 DAC is a nice attempt but the real NOS R2R dac is superior in every way. Its no contest. Of course the Holo is more expensive too.
Thanks.Good overviewI'm very, very pleased with ADI-2 DAC after about two weeks of use. The DAC is clean and non-fatiguing with a very nice sense of space. For such a small unit, I'm surprised RME managed to fit such a nice amp-section in there too. I've mostly listened to my HD600 and the amp for me sounds better than my Lyr 2 (with LISSTs, connected into the line-outs): way snappier & tighter low-end and much less hazy/grainy sound overall. Lyr 2 sounds slightly darker, kind of more romantic (some might like this?) with less instrument separation and generally less detailed. Schiit puts out more subs and bass overall, but it's messier. Bass guitars are easier to follow with the ADI-amp. Differences aren't huge, but speed & clarity go to RME quite easily. I've mostly listened to rock, metal, pop, acoustic, hip-hop etc.
And yeah, I'm loving the usability and overall awesome features of this device. The bass/treble controls on the front panel are a breeze to use when listening to thin/trebly/bloated/etc. mixes or when tired. Tried the EQ too briefly and found it easy to get around.
I still have some extensive listening (and EQing) to do with LCD-2 and HD800 especially, I'll report back!
The RME only has a few hours of runtime and my Holo has about 50 hours. If I'm doing a proper comparison it would be fair to let the RME unit burn in for a few days before critical listening. So take these as initial impressions. The RME is a great sounding unit and for the price is a no brainer. Having said that, the L3 kitsune sounds much more refined both in the bass and lower and upper treble. The bass has more texture and impact and goes deeper. The treble is smoother yet beautifully extended. Midrange, I really cant tell a difference. Both units sound very transparent and open. The Kitsune has a better soundstage and more importantly for headphone listening precise imaging (ie the placement of instruments in that space) compared to the ADI-2 dac. If I hadn't heard the Holo, I would be very satisfied with the ADI-2. I do wish the ADI-2 had a bit more authority in the lower and upper bass while still maintaining neutrality like the Holo manages to do.What makes the Holo superior 'in every way in' your opinion? Would be nice to hear some specific details about the differences.