spookanide
100+ Head-Fier
I honestly think you're exaggerating a bit and I understand that stigma comes from the pro audio scene, been there myself. If amps colored or veiled sound too much it'll simply become a poor all-rounder or lose detail. I do realise some headphones make a lot of things sound pleasing, but I haven't really encountered amps that do that. Any slight bits of color can still be professionally enjoyable depending on your preferences anyway, and it's not like you can't get used to color.now, often happens that music lovers and audiophiles look for gear that makes music sounds always better, I totally understand that.... people want to have fun and enjoy music as much as they can.
in this specific situation I want a headphone amp that can reveals the good and ugly of that recordings...do you consider that CMA400i would do this?
Thanks!
In my opinion the CMA400i is able to do serve a mixing/mastering position for sure and I'm sure a few others here would agree. I considered my previous ican SE setup more of a cinema-like experience with the subwoofers turned up (if I used the bass switch). While this was fun in itself it didn't really bring out detail and space like the CMA400i does. With headphones and amps like this you should be able to easily tell if a singer's mic sounds noisy or hear pumping/distortion in poor mastering jobs.
If you're still on the fence just go find a demo unit somewhere and drive. Otherwise go for some industry standard audio interface.
*EDIT*
Reporting in on the exclusive mode thing. If you use Kernal Streaming mode instead of ASIO mode it works perfectly. Will report this to questyle at some point.
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