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Originally Posted by moodyrn /img/forum/go_quote.gif
No wonder you didn't have great success using it as a speaker amp. Remember, as a speaker amp this thing needs to be used with"efficient speakers". Those things have a sensitivity of *87dbs*. Those require much more than the 5 watts the ming da is providing. Just because they are small bookshelf type doesn't mean it's going to drive them. I have some psb towers with three 6.5 inch drivers, and it pushes those to decent levels, but those have an in room response of 94dbs. It's all about the efficiency of your speakers, not the size.
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You are absolutely correct about the speakers but these are really just part of my mid-fi system that has a Parasound Halo A23 power amp. I just reran the cables on a lark and never switched back.
This is sort of a psychoacoustic topic for another forum but we all know that certain frequencies and harmonic orders can bug us or please us out of proportion to the sound pressure they have. The way that scratches and pops on vinyl may not be as annoying as a hard sounding CD.
My guess why I do not want to switch back is that Hollywood may be jazzing up the movies and shows with lots of stuff that a weak tube amp with inefficient speakers cannot reproduce. The original plan for my system had been to use this setup for video and also music (sometimes loud) but I was never able to actually listen to good loud music because of complaints from my kids. (who would have ever thought that being possible. this would not have happened back in Mad Men days) Consequently, it was never used for music much. Perhaps the anemic low frequency portrayal makes the actual drama more engrossing for me. The best cinematic music sequence with the Parasound amp for me is the Flight of the Valkaries in Apocolypse Now but nothing compares to dialogue from tubes for Burton and Taylor in Who's Afraid of Virginia Woolf or the outstanding soliloquy of Poitier in Raisin in the Sun. But the characteristics of the sound are not at all like what a low powered solid state amp would produce or equalizing my parasound amp. The tubes do something magical.
There are two reasons that I may not get different speakers. I already have a mid-fi amp that can get me kicked out of the neighborhood with pretty good music playback. The second reason is that getting efficient speakers to use with the Ming Da may kill the Golden Goose.
There is no question that my current setup is absolutely lacking in sound dynamics. Even non-audiophiles can notice it but it sure is fun.
And this is also just the second purpose of this amp since I also use it with headphones for computer gaming and that is also the only time when I really listen to music in an attentive fashion. So it is two, two machines in one: a nice musical headphone amp and a strangely fun television amp (not really an audio system amp in my setup).
All that being said, I do have some old small Epos and NHT speakers scattered around and after your posting I may have to try them out.
Post Script: I just got in the mail two matched gold pin Mullard EL84's from Brent Jessee Audio. These have not even begun to get broken in but there does seem to be a different (excellent) level of power than the JJ Tesla's (which I really liked).
I have on Billie Holiday's "The Decca Days" and there is absolutely nothing lacking in the audio sound coming from the speakers. Since I wrote this post the topic of "sensitivity" and "efficiency" rumbled out some old memories. I used to be an avid reader of The Absolute Sound and any talk of efficiency was roundly despised. I think that it was because in the 1970's Consumer Reports would always rate loudspeakers completely on "efficiency" and "flatness".
Efficiency and sensitivity are not identical but related enough to almost use the terms interchangeably. One of the issues is that the measured efficiency and sensitivity is not one identical value across all of the frequencies produced but only one value is listed. And it may be that the efficiency and sensitivity of any given segment may or may not be important for musical quality. For example the portions of the audio that are sung by Billie may in fact be "efficient" on these speakers. Billie Holiday is closer to television audio frequency spread than let's say symphonic or rock hall music.
Here is a page that I was able to grab quickly that gives a diagram of SPL over a frequency spread. This Snell speaker has a published efficiency rating of 89dB but that is of "pink noise", something we do not listen to much. The actual SPL from each frequency is quite different.
Sound & Vision Magazine - Snell Acoustics Signature Series C7 speaker
I continue to agree that different speakers may get some fuller results and I will pull out those old speakers to experiment with but these speakers are pure alchemy with television and voice.