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You can edit it also. I'd recommend the IERM for you with your listening preferences. Don't bother w/ the other stuff if you want to use your Quads as a reference. I'd consider the ES5 too but I'm not sure what your preference for neutrality is. Theres the MG6Pro and the UM Miracle/Merlin too.
It was actually my "editing" that somehow caused the duplicate post, which I couldn't remove. So I reckoned it best not to re-edit my duplicate a second time...
Re the IERMs: I actually considered the IERMs prior to reading the AV Guide review and this thread. But, ultimately, I was moved to purchase the Tributes. But, now, after concluding the Tributes aren't for me, I'm looking at the IERMs again. But I'm also in the midst of reading the 1964Ears Appreciation thread (only up to page 11 tho')--their triples and quads've caught my attention.
I'm ambivalent about the IERMs because of their Capital Records affiliation. I was in a band many years ago that got signed, briefly, to Capitol Records and we had literal shouting matches over recording styles that left me (even to this day!) wondering whether anyone at Capitol actually ever listened to the consistently mediocre (or worse!) recordings they were putting out?! Anyway, not to bore anyone with my personal history, I'd hate to spend a grand on a set of custom 'phones that I've never even heard that were designed, even if only partially, by the same company's "engineers". And especially after the way-off review AV Guide gave the Tributes....well, I'm just a bit gun-shy, if you know what I mean.
My listening preference is for transducers--whether loudspeakers or earspeakers--that sound correct
au naturale. The thing about the Tributes is that they require serious tweaking (and still sound BOOMY). Though, to be fair, the Tributes are breathtaking in their ability to resolve very low-level details like digital jitter from low res .mp3s, which is why I battled with them as long as I did. The Tributes helped me to root out a handful of 128kHz and 192kHz .mp3s that've been apparently lurking within my otherwise 320kHz stable (and none of the other headphones I own or have auditioned were able to reveal them - even after I heard their digital artifacts in the Tributes!). Oddly, I've been very happy with Monster products over the years (used to sell them, too, when I worked in the high-end audio business back in the 80s). I'm still not sure how Noel Lee, Monster's chief, could market such colored-sounding headphones under the name of Miles Davis?
Anyway....