Cruelhand Luke
Headphoneus Supremus
I have had the Argon for a week now, and the Dekoni Blue for a few days. They are similar in some ways, for example, the bass is close in quality and quantity. (Argon wins, of course, but it's close).
What I am finding more interesting is how they are different. The soundstage on the Argon is clearly much larger, but sometimes it is hard to get a handle on what that means. Defining soundstage is sometimes elusive and difficult to put a fine point on....but the difference on this particular track was pretty striking.
Around the 1:15 mark Lou Reed sings, "and the colored girls go, 'do, do-do,do, do-do'..." then female vocals fade in singing the same refrain.
On the Dekonis it sounds like the volume is slowing rising on the vocals and the voices are getting closer. With the Argons that same moment sounds like they start out very far away and their voices rise in volume because they are moving closer. With the Dekonis, the 'colored girls' seem to be covering a shorter distance, versus how the Argon presents the sound
What I am finding more interesting is how they are different. The soundstage on the Argon is clearly much larger, but sometimes it is hard to get a handle on what that means. Defining soundstage is sometimes elusive and difficult to put a fine point on....but the difference on this particular track was pretty striking.
Around the 1:15 mark Lou Reed sings, "and the colored girls go, 'do, do-do,do, do-do'..." then female vocals fade in singing the same refrain.
On the Dekonis it sounds like the volume is slowing rising on the vocals and the voices are getting closer. With the Argons that same moment sounds like they start out very far away and their voices rise in volume because they are moving closer. With the Dekonis, the 'colored girls' seem to be covering a shorter distance, versus how the Argon presents the sound