I've been experimenting with the iPurifier2 (USBA Version). It's been a long road to even get to where I thought having one in the chain might matter, but here we are. Although below most likely won't be the permanent set up, a person in another thread (iG3) had asked if putting the iPurifier2 in the chain made a difference. I thought I'd give it a shot with my components to see. Below are impressions from a short session.
The chain is:
Power - (El Cheapo Power Bar) with iPower 5v => iDefender and iPower 15V to iCAN SE. For those following elsewhere - the Mac is specifically and intentionally not connected to AC power. Still working out a hum issue.
Signal - MacBook Pro 2012 Retina 17" (Tidal through Audirvana Plus on all default settings w/ Sys Opt to Extreme) => iDefender => iGalvanic 3.0 => Micro iDSD BL => iCAN SE
Headphones - A&K T8IE MK2 (3.5mm SE w/ 1/4" adapter)
Wifi (if it matters) vs. Direct Connection
For this comparison I simply took out the "dark blue" USB cable between the iG3 and the Micro BL and replaced it with the "Light Blue" Cable supplied with my IDAC2 + the iP2
The iG3 switch was set to the middle. All 3D and X Bass were set to off on both units. Gain on the iCAN SE is at 0db. Filter was set to bit perfect on Micro BL. RCAs were stock purple-tipped provided.
I listened to 3 tracks quite a number of times (rested between a few and came back) and replayed a number of specific parts. I picked them b/c I like them and knew I could listen to them over and over.
Someone Saved My Life Tonight - Elton John - Captain Fantastic... FLAC 24/96 MQA DAC 32/96
Dreams - Fleetwood Mac - Rumours - FLAC 24/96 DAC 32/96
The Load Out / Stay - Jackson Browne - Running on Empty - FLAC 24/96 DAC 32/96
If you're not interested in details - My impression is that this thing works. I got a little verklempt listening to JB...
If you're interested in details -
Air / Space - Everyone has their own ways to describe music, and I read some of the terms here in the glossary. What I get in my own words is more air and space. People and instruments just seem to be given (more of) their own space. I personally did not get an expanded (wider) or deeper soundstage. If I want to focus on one particular riff in the background or an instrument, it makes it easier. When things "get crowded" and there's a lot going on within a track, this gadget seems to help sort out the parts that make up the whole without diminishing the overall picture. My best example of this is with The Load Out at ~2:44 and Stay at ~:16 when the crowd starts clapping in rhythm and again at ~1:15 when David Lindley chimes in... It doesn't sound like "crowd noise"... It sounds like tons of individual people clapping. Another cool example is in Someone Saved... at ~ 5:16 when EJ is tossing a few higher piano notes into the mix. This is not a night and day kinda thing, but I don't think it was bias picking this up. I listened over and over. I'd like to have some choir music where I could try and pick out a voice I know.
"Softness" - I don't know how to describe this best. Again examples from Stay - Except on my home speaker system, I've always found David Lindley's and Rosemary Butler's voices to grate on me, especially if I've got things loud. As much as I've always loved The Load Out, Stay has always been kinda the ho hum addition. With the iS2 they sound great vs. grating. Also ~1:50 and around 2:15 when the keys hit the high notes, it makes it much more enjoyable. I found myself just "liking the sound" of all the tracks.
Resolution for vibrations or "texture" "timbre"? - This to me is the highlight. There are too many examples to list, but specifically the soft splash cymbals at the intro and throughout Someone Saved my Life along with the tambourine really stand out. The splash goes from a very good.. sssssss to sounding much more real especially during the sustain... In Dreams, the subtlety of Mick Fleetwood's high-hat work seemed easier to hear. Deep bass guitar notes "vibrate". In EJs voice, the trailing vibrato/runs he uses is more pronounced. With the Micro alone, if I concentrate, I can hear the first and maybe 2nd note when he runs down. With the iP2 in the chain, I can hear the decrescendo and the notes change pitch down to the very end. E-a to E-a-... If I could make smaller fonts to illustrate, I would. The drums in Dreams are pretty front and center, so the overall texture / timbre improvement is just cool.
Again - is this like night and day... no. Some changes (to me) were more pronounced than others, and I fully understand that when you're trying to hear a difference, you may just perceive one. I tried to give it an honest go. Note - there's all kinds of other threads on which clocks etc. do what and whether this should or shouldn't be used with iG3 and if so where in the chain etc. etc.... YMMV. This one is going on the road with me. I either need a iP2 USB B for in front of my iDAC2 permanently or I may try the iUSB3.0.