AstralStorm
500+ Head-Fier
- Joined
- Apr 5, 2011
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Personally, I'm using Virtual Audio Cable with VSTHost for complete system-wide eq.
However, VSTHost is pretty buggy software - it doesn't work properly with DirectSound IO adding lots of delay; can crash, hanging MME; causes bugs in Electri-Q's UI.
MME (antique WaveIn/WaveOut) and ASIO work fine, however it can't route from anything to ASIO and my ASIO driver doesn't have any routing features.
ASIO4ALL on the other hand does, but it induces a crash in my soundcard's drivers.
My suspicion is its ASIO support is meant for synthesizers and not audio processing. I should try Xlutop's Chainer instead, seems less buggy.
Oh, and about that "brilliance" boost - it's actually better to just use Electri-Q for that, but reduce the gain in it so it doesn't distort, instead increasing it afterwards, preferably in the amplifier/soundcard. Say, here's a *full* equalization (20-19kHz) for RE272 w/ Comply S Medium tips (which are oversize for me, I need small ones):
It's easy to see that Comply tips remove resonances, thus giving a smoother response.
About the "loudness-like" compensation. It actually sounds closer to real life recordings of performances I've actually witnessed...
I don't suspect the mastering gear has anything like the curve built in and I know the friend didn't do any compensation of his own.
That leaves the Neumann microphones an unlikely suspect. (Off-axis response can be discounted, I've seen that AB miking setup.)
However, VSTHost is pretty buggy software - it doesn't work properly with DirectSound IO adding lots of delay; can crash, hanging MME; causes bugs in Electri-Q's UI.
MME (antique WaveIn/WaveOut) and ASIO work fine, however it can't route from anything to ASIO and my ASIO driver doesn't have any routing features.
ASIO4ALL on the other hand does, but it induces a crash in my soundcard's drivers.
My suspicion is its ASIO support is meant for synthesizers and not audio processing. I should try Xlutop's Chainer instead, seems less buggy.
Oh, and about that "brilliance" boost - it's actually better to just use Electri-Q for that, but reduce the gain in it so it doesn't distort, instead increasing it afterwards, preferably in the amplifier/soundcard. Say, here's a *full* equalization (20-19kHz) for RE272 w/ Comply S Medium tips (which are oversize for me, I need small ones):
It's easy to see that Comply tips remove resonances, thus giving a smoother response.
About the "loudness-like" compensation. It actually sounds closer to real life recordings of performances I've actually witnessed...
I don't suspect the mastering gear has anything like the curve built in and I know the friend didn't do any compensation of his own.
That leaves the Neumann microphones an unlikely suspect. (Off-axis response can be discounted, I've seen that AB miking setup.)