I agree. the gear should be as good as it can be. The production values of the music or recording quality doesn't matter to me if all I notice is the music (basically anything decent will work). Artistic intent, or the music matters more than anything else for me. When the engineering of the album takes a dump on the music or is so bad that overtakes it then I hate it. When it's completely coherent to what the recording is about, as well as its time and place, then all is fine. This is one of the reasons I like very very few classical records from before the 80's. When hiss and artifacts dominates the track I gotta go. I have no problems with recording quality from a lot more stuff from other genres before the 80's, which is funny now that classical built itself over the years as one of the top hifi-type recordings.