andydavid
Head-Fier
- Joined
- May 26, 2013
- Posts
- 77
- Likes
- 16
HE-400 vs. HD650s on Schitt Magni/Modi vs. ALO Audio International:
Just adding some impressions on the HE-400 based on my experience with the equipment listed above, which is just about the full list of stuff I actually use. Just in case anyone's searching the thread for comparisons, amp info, etc.
I'm a musician rather than audiophile so the language I use may be less technical and more subjective.
I got the HE-400s and a Magni/Modi stack after reading up on this forum. I was disappointed. Burned in the 400s some, still disappointed. Specifically, the sound to me was jarring, a bit... nasal almost in parts of the miss, prone to a few uncomfortable peaks in parts of the higher end, a bit sibilant at times. Not cohesive really. Definitely tiring.
Disappointed, I bought the HD650s (this hobby escalates fast). I loved them with the M/M. I could finally see what even the lower end of mid/head-fi could do compared to my consumer-grade stuff. Didn't really pick up the 400s again for a while.
Looking to rethink my amp setup, I bought the International. Might seem random, but the thinking was/is that it'll do for my one amp for now, and when I research, listen and invest more in a desktop amp I'll still have a great portable option rather than lose value in a sale.
LOVE the International. Everything seems to breathe more--at the same time as it feels just... tighter and faster. But something happened with the 'phones. Immediately I favored the 400s over the HD650s. More cohesive sound, what I can only describe as 'speed,' definitely some impact (but still fast) in the bass. My favorite thing about the 400s (with this amp at least): there is a little sizzle up top but it seems to me it's less about quantity of treble than quality. The piano intro of These New Puritans' "Fragment Two" is so full because you feel and hear the bass, but even on the low notes you hear the percussive impact, some of the stuff in the mids and up high that really gives it a more realistic sound to me. I hear piano bench creaks on some Sufjan Stevens songs. Likewise on some stuff with synth (like "Everything In Its Right Place" by Radiohead) on low notes as well as high some of the subtle rhythmic modulations and textures of the synths come out with this treble sparkle that simply weren't available to my ears with the 650s.
I'll be selling my HE-400s and my HD650s soon, not because I don't like them. I do, in different circumstances. It's just that I fell for the whole Audeze thing and my budget for this hobby doesn't support so many open-backed headphones. Like I said, this hobby escalates quickly...
Hope this helps someone.
Just adding some impressions on the HE-400 based on my experience with the equipment listed above, which is just about the full list of stuff I actually use. Just in case anyone's searching the thread for comparisons, amp info, etc.
I'm a musician rather than audiophile so the language I use may be less technical and more subjective.
I got the HE-400s and a Magni/Modi stack after reading up on this forum. I was disappointed. Burned in the 400s some, still disappointed. Specifically, the sound to me was jarring, a bit... nasal almost in parts of the miss, prone to a few uncomfortable peaks in parts of the higher end, a bit sibilant at times. Not cohesive really. Definitely tiring.
Disappointed, I bought the HD650s (this hobby escalates fast). I loved them with the M/M. I could finally see what even the lower end of mid/head-fi could do compared to my consumer-grade stuff. Didn't really pick up the 400s again for a while.
Looking to rethink my amp setup, I bought the International. Might seem random, but the thinking was/is that it'll do for my one amp for now, and when I research, listen and invest more in a desktop amp I'll still have a great portable option rather than lose value in a sale.
LOVE the International. Everything seems to breathe more--at the same time as it feels just... tighter and faster. But something happened with the 'phones. Immediately I favored the 400s over the HD650s. More cohesive sound, what I can only describe as 'speed,' definitely some impact (but still fast) in the bass. My favorite thing about the 400s (with this amp at least): there is a little sizzle up top but it seems to me it's less about quantity of treble than quality. The piano intro of These New Puritans' "Fragment Two" is so full because you feel and hear the bass, but even on the low notes you hear the percussive impact, some of the stuff in the mids and up high that really gives it a more realistic sound to me. I hear piano bench creaks on some Sufjan Stevens songs. Likewise on some stuff with synth (like "Everything In Its Right Place" by Radiohead) on low notes as well as high some of the subtle rhythmic modulations and textures of the synths come out with this treble sparkle that simply weren't available to my ears with the 650s.
I'll be selling my HE-400s and my HD650s soon, not because I don't like them. I do, in different circumstances. It's just that I fell for the whole Audeze thing and my budget for this hobby doesn't support so many open-backed headphones. Like I said, this hobby escalates quickly...
Hope this helps someone.