Thanks for the shoutout, Jim! I’ll share the Raven bit from my impressions here. It’s definitely in the top 3 of what I heard at the show. If
@Jack Vang and co. will consider a one-off custom, it might end up on my Christmas shopping list too.
Empire Ears
Among the numerous friendships I’ve made throughout my time in the industry, Jack Vang is one of the closest ones, and I think that’s a sentiment a lot of us who’ve met him can share. He’s a warm, personable dude who’s generous with his time, honest to a fault and always open for a good bro hug. After catching up on what we’ve missed over the past couple years, ruminating on our individual struggles and successes and getting all that personal stuff out of the way, I gave his newest flagship - the EE Raven - a go.
Raven
The Raven was, without question, EE’s most balanced-sounding and most technically-sound monitor yet. And, all it took was them finally catching the frequency range that’s eluded them most: The treble. After disappointing on the EVO and falling short on the Odyssey, the Raven, at last, delivered a top-end that extended and aerified for days.
Then, correcting where the ODIN and Phantom erred, the Raven featured a smooth, even-handed, abrupt-peak-free tone that hit the mark to my ears;
just precise, crisp and open enough with no artificiality to speak of. It’s the first EE in-ear I’d heard that didn’t smear or trail at all throughout the FR; an effortlessly snappy piece.
Once that’s done, it just made everything they’d already nailed go up a level. EE’s signature W9+ woofers delivered their world-famous bass, now cleaner-etched and less intrusive; not because they’d cut them down in any way, but because the treble finally made the room for it. And, taking community feedback to heart, they’d balanced the midrange better than any of their previous monitors, resulting in more of a centre-mid focus that’s bold, meaty and, most of all, appropriately-sized against the lows. One of my issues with the Odyssey was midrange notes always seemed
smaller than bass ones, such that crescendos in horns, guitars and vocals never really hit and peaked like they were supposed to. The only ones that did were bass drops. On the Raven, because everything’s on equal footing in quantity and in size, the whole FR ebbed as one, so those climaxes - those theatrics -
hit like they should.
For me, the Raven hit so many
just right’s; more than any of EE’s previous releases ever had. While every in-ear is bound to have
if’s,
but’s and
maybe’s, this was the first time I could say EE properly addressed all of their previous complaints. The LX was an answer to the Legend Omega, but some found it a bit bloated or veiled. The ODIN was an answer to the LX, but the upper-mids were overloaded. The Legend EVO was an answer to that, but fell short massively in treble extension. And, the Odyssey was an answer to that, but fell flat in the midrange and the uppermost treble. The Raven was the long-awaited home run. It’s a well-balanced IEM where no frequency outright beat another, yet it managed to still highlight the individual components that make an EE IEM great; i.e. the bass, clearly. The mids were even-toned with the size and power to match. And, the treble was EE’s airiest, most precise and most balanced by a country mile.
So, though where it competes in the larger landscape - against the likes of Elysian, or VE, or Subtonic, or FiR, etc. - is far too soon to be determined, I can say that this was categorically a win for EE themselves. They put their best foot forward with this one, and I’m happy to see them stick the landing. This one’s tied with VE Red and the Nightjar Singularity for my best in show, and it couldn’t have happened to a better group of folks.