You got that right. After all, music is just noises, and with algorithms to compose a rhythmic flow
. The reason why we don’t hear those noises, probably have to do with the fact that it isn’t bothersome enough. See ? There would be people who love the “beautiful noises” or “pop/crackles” from vinyl....but some people can not stand it at all...LOL! The same as Analog tape “hisses”....
So far, electrical noises are posed in 2 ways that I observed, and it isn’t exactly noises, but a form of “distortions”. When trebles distorts, it is caused by errors from digital info, whether it is from the algorithm or the hardware, or both....it distorts, and it gives off “harshness, grainy, or even sibilant, uncomfortable details textures”. The same thing as the bass distortions itself....it doesn’t necessarily have to be real distortions that you hear, but being muddy and veiled up is also a form of bass “distortions”....
I am not talking about your typical standard of “distortions” though....but those are the best of how I could describe it.
I realized that much because of my tinkering with DX platforms, and those noise absorbing TK sheeting does wonderfully well. However, if you absorbed too much noises, you could lose information....those that are likely lost during the process, but without added noises from other part of the systems, the music could become hollow and boring or appear to have lost it details.
This is another reason why DSD512 sound wonderful on DX2002/220 with EX modifications...the algorithms (offline processing) itself doesn’t encounter as much errors in the processing system as the DAP itself and live processing
But, remember, no one have to agree with me. These are my own findings and experiences, and since you asked for it, I am happy to share. Yes, it is a can of worms, and I shared what you asked for....won’t touch it again...LoL