Saving the Stealth: I still find the comfort in that top 1% ultimately just behind the Empyrean. I read someone mentioning tension thoroughly with the headband which they did not love, I agree. As the cups sit too loosely, all the weight is distributed off the headband. This causes zero discomfort for me, however, impedes the Stealth from ever completely disappearing on my head.
Tonality is very acceptable, particularly female voice especially when well recorded breathe naturally (Lana Del Ray **** it, I love you is a great example) conversely I do wish there was more bite, more sparkle. Sigh.
I still can't stand how dynamically limp this headphone presents > metal, rock, do not pass go. Electronic can force some bass extension/punch (Lorn - Ghosst, fair example) but the overall soft, soft, soft, mush is maddening.
Staging and imaging remains a mixed bag: Anna von Hausswolff - Epitaph of Theodor retains a softness through the organ extension, the church hall illuminates in a distinct corridor lacking reverb, breathe, air while Between the Buried and Me shows in Sun of Nothing pattered bass, slam, punch, crunch, bite, retaining fairly excellent cohesion > funky riffs and hard transitions keep clear and competent as you follow along the complexities.
I like vocals a fair bit and dislike everything else a fair bit more.
I also like the efficient active leakage isolation these provide as for many that factorization may be very meaningful.
If these were priced at $2299 they'd be intriguing - at $4k they're the biggest loser.
Shrugs.