PTom
100+ Head-Fier
- Joined
- Oct 20, 2013
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lol, this is the second time that's been mentioned. Maybe someone could PM me the name of this "Lord Voldemort website".
Got it!
lol, this is the second time that's been mentioned. Maybe someone could PM me the name of this "Lord Voldemort website".
I did search but no result. So far I only found the matte black and it's awesome. Can share the link for hammerite finish?
Stupid of me googling. Should have search in this thread in the first place. *facepalm.
But new to the whole scene of audiophile territory but VERY interested in a Bottlehead a w/ Speedball (planning on getting hd600 headphone probably, have Akg k550s atm) can anyone advise on price for getting this into the UK? I think someone said on a few pages around £30 for customs, any other fees to think about/currency differences? I've only heard great things about this amp especially combined with the headphones mentioned, thanks in advance for any help!
Originally Posted by JamieMcC /img/forum/go_quote.gif
Ok this has been a lot harder to put down than I first thought but here some impressions on the JFX film capacitors I fitted to my BHCrack.
BHCrack+Speedball+Valab+JFX film capacitors
Tubes Tung-Sol 5998 & Mullard 12au7
Headphones Beyerdynamic Tesla T1
The instantly most noticeable change to the sound has been clarity and it is really hard to put this into words just how much this has improved it is also a bit mind bending to think it wasn’t so clear before.
A visualization might be looking out over a scene on a grey day and seeing an area that is bathed in a shaft of sunlight which makes everything sharper, colours pop out and shapes are more clearly defined and focused. Everything within the area of sunlight is just more vivid.
The perception of sound stage with the T1’s is not much wider than before but it now has greater depth and a smoother and more seamless feel to it. With the improved clarity I can look deeper into the soundstage and recording to focus on individual instruments within, this placement depth and resolution is very noticeable on live recordings.
For lack of better words music just flows better, it rises and falls as needed and washes over you with an effortlessness to the dynamics.
This is really hard to describe but its changed how the T1’s connect me with the music there is no more sense of viewing from say three rows back.
It feels much more like 'being there' I can be further back viewing a musical in a theatre listening to say Les Miserables taking in the whole scene or next find myself sitting across the table from Melody Gardot or Diana Krall, who are now singing just for me. On another track I am right on stage right in the middle of the mix with musicians to the left and right and behind enveloped in sound (this really was a first for me and an amazing “Holy Cow I am on the stage” moment, thank you Florence).
This all makes for an increased feel to the atmosphere and venue on live recordings as the music flows out and fills the venues and gives a sense of air as a beautiful solo vocal floats up high into the vaults of a cathedrals ceiling, it’s just beautiful to hear.
Pretty much all instruments sound better, the distortion of an electric guitar, brushes on drums, the little metal cymbals of a tambourine as they vibrate on both sides when shaken these little details keep coming through, plucks on strings the woodiness of instruments the bounce back on kick-drum or a sense of hollowness to an acoustic guitar or the density of the wood castanets are made of. The transparency of those subtle nuances of tones and textures draw you into the music. To many times just one more track turns into one more album way into the small hours of the morning.
The capacitors sonics have definitely improved as they burned in. I had a strange intermittent buzz noise in the lower frequencies on some jazz tracks I couldn’t quiet put my finger on what it was. It was just not right I wondered if my headphones had started to develop a problem with reproduction of the frequency. After about 60hrs this buzz has become more defined and developed into a thrum resonance sound from a plucked double bass string.
The T1’s are a fantastic headphones in many respects but I was very pleased to hear after about 100hrs a welcome hint of soulfulness develop in the midrange and just a little more warmth, body and loveliness to vocals which I think they are the better for.
The T1’s have scaled well with the addition of the film caps and I continue to be amazed by the reproduction of music I listen to and those out of headphone experiences that catch you by surprise have become much more frequent. I have been very pleased with the results of fitting the film caps.
I hope some of this makes a little sense.
Great impressions, Jamie. I haven't had a chance to hear a stock SB'ed Crack (only my custom Crack w/ the Erse Film caps and other mods), but all of what you describe mirrors the feeling I get with my Crack/650 combo.. especially all the talk about hearing minute detail in an effortless, natural manner.
I'm listening to an album that's practically woven into my childhood.. the Fugees' seminal album, "The Score".. it isn't "audiophile approved" around these parts.. heck it isn't even mixed/mastered all that well (but it's quite serviceable, in that respect).. following along with Lauryn Hill's passionate performance on "Killing Me Softly," the reverb and echo in the recording is so clearly distinguishable. The production on this album is wonderfully murky, sparse, and atmospheric.. vintage (early) 90's hip hop.. but with the 650/Crack, I hear all sorts of details, transients, and recording effects I've missed in the past.. despite hearing this album too many times to count.
I used Rust-oleum matte black for the metal parts on my latest Crack build and it looks pretty boss. But if you use that, make sure you have it laying on top of something soft while you're building the Crack because that stuff scratches if you just look at it wrong. Way easier to scratch than glossy paint. I'd use at least 3 coats of the matte black if you go that route.
Hi Paul, I tried outputting via my cd player to the BHC and it was not very good at all straight from the cd player. Streaming via my network players dac works much better . Try a different source.
By the way a nos e80cc input tube arrived in the post to day. I have tried it with the T1's and found it a bit bright for my liking with them. However with the HD650's its a different story and the E80CC seams to suit them. I don't know if tubes have a burn in period? But will put some hours on it and see what happens.
Hi Paul, I tried outputting via my cd player to the BHC and it didn't sound very good at all straight from the cd player. Streaming via my network players dac works much better. Try a different source dvd or blueray if you have one.
By the way a nos e80cc input tube arrived in the post to day I forgot that I had put a bid in on ebay for it until it flagged up for payment. I have tried it with the T1's and found it a bit bright for my liking with them. However with the HD650's its a different story and the E80CC seams to suit them. I don't know if tubes have a burn in period? But will put some hours on it and see what happens.
Edit my quickie also arrived yesterday, but will have to wait for the time being as I am quiet busy with work at the moment.
Can I substitute in a 5U4GB, a 6BL7, a 6SR7GT, a 6SK7GT, or a 6SN7GTB into the power tube slot on my Crack? I was at an antiques store and bought a box of tubes for $40, these all fit, but not sure if they are substitutes.
Also, for the smaller tube (input?)
Will these fit?
6R39
12AT7