Audiofiler
Headphoneus Supremus
- Joined
- Jan 27, 2006
- Posts
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- 19
Quote:
The sound of the v700 is overly boomy in the lower marks..but makes (with its 50mm driver fitted with neodymium magnet, these cans pump out too much db for critical or normal listening)however, in a rave or party setting, its ability to deal with transients and external noise is decent of matching beats..I found that the over colored (bright) presentation of the mid and upper marks in the high band make certain frequency responses difficult to match, image, or provide loops into, but is better than that of the V6's presentation, and has ergonomics that DJ's can easier utilize..
Sony v700 VS the V6 for spinning, the v700 is better equipped in terms of its output, but again calibrated much too high in the gain for the lower spectrum of the FR for normal sessions, and where there is not 92+db in your face before you start..
The MDR-V6 make great cans for MONITORING mixes..but NOT for spinning records!!..I have seen plasticman, soulslinger,P-45,DJ Funk, Digweed, DJ Dan, Humpty Vission, DJ siren, Glen Underdround, Paul Johnson, and many others (can't recall right now) that used the V6's...
The V6's to my ears make great reference cans for instruments, like the Piano, Guitar, Cello, etc...but its more neutral respsonse (well Sony dynamic sub $5000 neutral
), is not as good for the timbre and mid range when mixing 1200's..as the coloration in lower marks and extended highs make it difficult to lace a mix that sound the same to the listeners aloud as it does/did through the cans..in that, the beats themselves along with the overall toneality is off..and with certain genres of underground (i.e. DnB, Jungle, Happy Hardcore, Trance, House, UK 2 Step, Goa), it is hard to "hear" to know the correct sounds and tones through the V6, as they do not give the best depiction of the original signal path..
The drawback in terms of the design flaw on the V700 is that swivel connector, and its uncanny instict of breaking shortly after purchase..
hope this helps, I wish the underground scene was still alive, man I miss great beats..
Originally Posted by Davesrose Audioflier, Don't know if we should get serious here and talk about the best quality phone for mixing (ie being a real professional vs bling artist). I notice Szabi's pics have two DJs with the Sony V6.....how is the sound compared to the Sony v700 DJ? *bling* aside |
The sound of the v700 is overly boomy in the lower marks..but makes (with its 50mm driver fitted with neodymium magnet, these cans pump out too much db for critical or normal listening)however, in a rave or party setting, its ability to deal with transients and external noise is decent of matching beats..I found that the over colored (bright) presentation of the mid and upper marks in the high band make certain frequency responses difficult to match, image, or provide loops into, but is better than that of the V6's presentation, and has ergonomics that DJ's can easier utilize..
Sony v700 VS the V6 for spinning, the v700 is better equipped in terms of its output, but again calibrated much too high in the gain for the lower spectrum of the FR for normal sessions, and where there is not 92+db in your face before you start..
The MDR-V6 make great cans for MONITORING mixes..but NOT for spinning records!!..I have seen plasticman, soulslinger,P-45,DJ Funk, Digweed, DJ Dan, Humpty Vission, DJ siren, Glen Underdround, Paul Johnson, and many others (can't recall right now) that used the V6's...
The V6's to my ears make great reference cans for instruments, like the Piano, Guitar, Cello, etc...but its more neutral respsonse (well Sony dynamic sub $5000 neutral
The drawback in terms of the design flaw on the V700 is that swivel connector, and its uncanny instict of breaking shortly after purchase..
hope this helps, I wish the underground scene was still alive, man I miss great beats..