ruthieandjohn
Stumbling towards enlightenment
(Formerly known as kayandjohn.)
Could you note the (approximate) price for each of these, @thomaskong78 ? Thanks! Excellent, excellent comparison.
I added approximate price of each Dac to help understanding.Could you note the (approximate) price for each of these, @thomaskong78 ? Thanks! Excellent, excellent comparison.
The reason I got the Chord Dave at the time was because it didn’t sound bad next to a $250.000 Esoteric setup. So it was a good price / performance.
Maybe there exist $100.000 DAC’s that are better than the Chord Dave, I don’t really care about it as the price / performance is terrible.
(Even if I was Bill Gates, I would not waste my money on $100k DAC’s)
Building the best in the universe should not cost much as we talk about pure technical design.The reason I got the Chord Dave at the time was because it didn’t sound bad next to a $250.000 Esoteric setup. So it was a good price / performance.
Maybe there exist $100.000 DAC’s that are better than the Chord Dave, I don’t really care about it as the price / performance is terrible.
(Even if I was Bill Gates, I would not waste my money on $100k DAC’s)
It does feel like bragging rights are being exercised.Nothing about the MSB Select is even remotely worth $100,000. Even with inflated dealer markups & boutique pricing, they are marking it up to the stratosphere.
It's interesting that you (and your friends) have vinyl sound as a reference – or so it seems. That's indeed something Rob and Dave don't aspire to. Hence your comment «But it needs good system matching. It could sound analytical or hot coupled with bright combination of speaker and amplifier» makes sense. To me it's a hint that it may in fact have the purest sound of the bunch, closest to the original – if we take synergistic effects with the speakers and your own sonic preference out of the equation. It would be a further confirmation that a sound as pure as possible is most revealing to tonal flaws in the chain – thus critical in many systems.My first serious audio system was Garrard turntable, Fisher Int(SS), ADS bookspeaker bought on 1978.
I bought Technics CD player on 1984.
It sound harsh and bright compared with vinyl.
I gave up vinyl when I moved from Berkeley to Chicago on 1988 since I had no room to carry in my small car.
I upgraded to California Audio Mark2 on 1989.
It was way better than Technics CD player with refined treble and better dynamics.
I had used passive pre, Krell KSA 150 to drive Apogee Duetta Sig.
On 1999, I upgraded to DCS Elgar and upsampler using TEC Tl0x transport.
Wow, I got the feeling that it could match good vinyl system.
But after using DCS Elgar for 6 years, it got out of order and I gave it up with uncertain repair cost and shipping to UK.
TEC Tl0x transport also had kept failing to read some CDs.
Thus I had chnaged to Accustic Arts CD transport and Dac which was a downgrade from DCS Elgar and upsampler using TEC Tl0x transport..
On 2010, I had got EMMLab Dac2 to replace Accustic Arts Dac.
It had excellent dynamics, details and soundstage which made me enjoy the music again with Lansche 4.1 speaker and Silbatone 300B SET amp.
On 2019 I had got Jay Audio CDT2 and Lyngdorf 2170 to use it as Room correction, Dac.
But after using it for 4 months, I found that Lyngdorf 2170 falls slightly short of EMMLab Dac2 on bass slam and details.
Thus I had auditioned several Dacs to upgrade from Oct 2018 to May 2019
Point 100
There is nothing to criticize over MSB Select II except its high price around 100K$.
It has magical relaxed texture similar to top grade vinyl.
Dynamics, details, soundstage are all excellent.
Point 95
Kalista Dreamplay transport and Dac (80k$)
It is excellent matching MSB Select II on almost every aspects.
The only down side is that it does not have relaxed texture similar to top grade vinyl although it still sounds silky.
Point 91.
Trinity Dac(50k$)
This one is also all round player with hard to criticize.
But it falls slightly short of MSB Select II on details and relaxed texture.
Point 90
Lampiziator Pacific Dac(30k$)
I had auditioned this Dac with same setup with MSB Select II.
This one is also all round player with hard to criticize.
It falls slightly short of MSB Select II on dynamics and relaxed texture.
But this one has a nice bloom and full bodied sound,
which make some people prefer this one to MSB Select II
Point 85
Chord Dave and Mscaler(or Blue II transport)
This one give transparent and 3D soundstage with excellent details.
But it need good system matching.
It could sound analytical or hot coupled with bright combination of speaker and amplifier.
Without upscaling using Mscaler, its sound is mediocre around 75 points.
Point 84
MSB Premier with one more basic power supply (22k$)
I had auditioned this one side by side with Lampiziator Pacific Dac.
It matches Pacific Dac with Dynamics, details, soundstage but fall short of Pacific Dac in magical bloom and full body.
With improved power supply or clock, its performance have room to improve further.
Point 80
Formula XHD Dac (12k$)
I auditioned this one side by side with Trinity Dac
This one is a very musical player with full bloom.
But it falls short of Trinity Dac by one notch in dynamics and bass slam.
Point 79
TotalDac 6 tube version (9k$)
This one is also a very musical player.
But from the point of audiophile, its dynamics, details, soundstage are all one notch below the standard set by MSB Select II.
Point 78
MSB Discrete Dac with one additional basic power supply. (12k$)
This one has similar sound signature to MSB Premier
But it is half notch below MSB Premier on dynamics, details, soundstage.
Point 75
EmmLab Dac2
I paid 9K$ for this on 2010.
It matches Chord Dave and Mscaler on dynamics with slightly more bass slam.
But Chord Dave and Mscaler give more transparent and deeper soundstage than EmmLab Dac2 while soundstage width are comparable to each other.
This one has slight fuller sound than Chord Dave and Mscaler.
It is still working fine after 10 years of use.
Point 73.
Lyngdorf 2170
This one has Dac, pre and power amp, active crossover and room correction functions.
It’s Dac sounds very similar to EmmLab Dac2 but with slightly less details and bass slam.
There are many Dacs to audition but I could not audition all of them.
I had bought Chord Dave and Mscaler May 2019.
Dac also depends on system matching.
If I do not use tube integrated amp (Line Magnetic 508), then I may have gone for Lamiziator Pacific Dac.
But I am afraid of too warm sound out of tube Dac and tube amp.
Dave will not go well with analytical speaker like Magico.
It is working better with my Lansche 4.1 which is kind of neutral not too warm like Harbeth or not too analytical like Magico or Wilson
After 7 months of using Dave and Mscaler, my grading of 85 points on Dave stand.
It is a pretty good Dac at the price point, but not the best Dac available now.
If I can shell out 100K$, I may go for MSB Select II.
If some innovative Dac better than MSB Select II come out under 50K$ in the future, then I will upgrade to it.
Otherwise, I expect to use Chord Dave and Mscaler for 3 years or longer.
The reason I got the Chord Dave at the time was because it didn’t sound bad next to a $250.000 Esoteric setup. So it was a good price / performance.
Maybe there exist $100.000 DAC’s that are better than the Chord Dave, I don’t really care about it as the price / performance is terrible.
(Even if I was Bill Gates, I would not waste my money on $100k DAC’s)
I have a bunch of external amps and I keep coming back to the Dave / M Scaler headphone out for Abyss. I have the Benchmark HPA4 on trial, and while it's the closest amp I've heard so far to the Dave output - the HPA4 has a hint of dryness to the midrange, whereas Dave is completely smooth.
I don't sense any lack of power or straining with the Abyss at any volume. Though with some dynamic recordings you just don't have quite the volume you need (I'm always super nervous to go past +3db and that I'll clip).
Rob - any news on the digital amps? There has got to be a way to maintain this quality while retaining the smoothness. I'm up for suggestions on headphone or speaker amps that I haven't tried that - while may not be 100% transparent - will not lose that smooth, analog feel.
I wish I could rig a TT2 to be a headphone amplifier for the Dave.
The HPA4 is as transparent as it gets, as you say. I don't see an alternative for the Abyss right now. You should find the soundstage opens up a bit compared to DAVE directly too. So it's better here and slightly not there. Overall it's still better.
Following Dave's post a little while back, I borrowed an EVO 3 SYNCRO UNI to insert in my power supply. It is specifically aimed at removing stray DC offset current from the public supply. On initial listening I have to say it does make quite a difference, in pretty much the way Dave described in his post. I don't think it is a complete power cleaner - removing RFI/EMI for example - but 'focus' is a good word for what it does do.I don’t know if any others here have tested their electrics for DC Offset. It’s a form of electrical ‘double vision’ or blur. It affects the imaging and density of your images. As far as I can ascertain in the UK this is a very common problem.
Following Dave's post a little while back, I borrowed an EVO 3 SYNCRO UNI to insert in my power supply. It is specifically aimed at removing stray DC offset current from the public supply. On initial listening I have to say it does make quite a difference, in pretty much the way Dave described in his post. I don't think it is a complete power cleaner - removing RFI/EMI for example - but 'focus' is a good word for what it does do.