The latest round of N8 Engineering prototype was displayed at
2018 Shenzhen Audio Player Party last Sunday, This is the first major revision after our Munich High End demo:
One of the newly confirmed feature in this round of N8 prototype is
High Impedance High Output Mode
Before we explain this feature, let take a quick look on a very interesting dilemma:
variety.
One of the attractions of Personal Audio to consumer is the vast variety of headphones available, and I bet a of serious Headfier will keep more then a few set of earphones/headphones in your collection. Let’s take a look on some of the choices:
- Vision Ear VE8, 22 Ohms, 120dB/mW
- JH Roxanne, 15 Ohms, 119dB/mW
- 64Audio, U18t, 9 Ohms, 115dB/mW
- Shure SE846, 9 Ohms, 114dB/mW
- Campfire Andromeda, 12.8 Ohms, 112.8 dB/mW
- Westone W80, 5 Ohms, 111dB/mW
- Westone ES80, 80 Ohms, 111dB /mW
- Venture Electronics Zen 2.0, 320 Ohms, 108dB/mW
- AKG K3003, 8 ohm, 125 dB SPL/V (~104dB/mW)
- oBravo Ra-C, 182 Ohms, 93dB
- RHA CL1 Ceramic, 150 Ohms, 89dB
So we have impedance range from 5 Ohms to 320 Ohms, sensitivity range from 89dB to 120dB. For the record, the sensitivity range is more dramatic that the figures implied because the 30dB range actually implies 1000:1 power ratio. In other word if we want to power the VE8 to 120dB, we only need 1 mW, but if we want to power a 90dB earphone to the same level, we need to feed it with 1000mW.
http://www.sengpielaudio.com/calculator-levelchange.htm
In addition, we have received numerous inquiries whether our DAP can drive this or that headphones, especially HD650 and HD800. If the market expect your DAP can handle all these “choices”, isn’t this a nightmare to DAP manufacturer?
Typically, Cayin’s DAP will offer gain control feature to enhance the matching ability with different earphones. We start off with HIGH and LOW gain in 2014, and then we rename the Low gain setting to MID gain and offer an even lower LOW gain on our DAP from 2017. While this is a common practice in the industry, we are not truly satisfied with the result of the matching through gain control approach. We want to handle the matching issue from the ground up, and we decided to go all the way back to square one: the power supply to amplification.
For those who have been in the HiFi hobby long enough, you probably noticed that the critical success factor of High Fidelity is electricity, i.e., power supply in your equipment. N8, as our flagship DAP, has an extremely complicated Power supply design that deserve a white paper on its own. I am not going to go through all the detail right here, but on the subject of enhancing matching capability, Cayin has designed a two-stage power supply for N8 headphone amplifier circuit. At Standard (STD) mode, the N8 will behave like regular DAP, targeted at the more common earphones, including those ultra-sensitive IEMs. When we increased the voltage of the power supply to the headphone amplifier circuit, the DAP will enter High Power High Impedance (HIGH) mode. The rated power of HIGH mode at low impedance loading will be fairly similar to the STD mode, but as the impedance of headphone (i.e., loading) increased, the rated power will ramp up gradually.
We have tried different voltage setting and almost finalized in this round of N8 prototype. Right now with 300ohm loading, the HIGH mode of balanced headphone output will rated at slightly below 8 Vrms. Please be reminded that we are talking about rated power at 300ohm loading, which is a big different from 8 Vrms at unloaded condition.
N8 will also come with the regular 3 stages of Gain Control as appeared in other Cayin DAPs. To summarize, N8 will offer THREE choice of amplification (4.4mm Bal, 3.5mm SE-SS, 3.5mm SE-Tube), user can select one out of TWO power rating mode in each option, and they can refine the matching with THREE gain stage for each combination, this is a lot of flexibility to N8 users.
I have tested the HIGH mode of the N8 prototype (Sample 01) with my HD800. The 3.5mm SE-Tube output cannot handle HD800 properly. It can drive the HD800 to very loud level, but lack of control and separation. The 4.4mm Balanced output is a lot better, I have to skip the full scale orchestra or very demanding tracks (e.g, Money for nothing from Brothers in Arms) as control is still on marginal side, but I can start to enjoy some less sophisticated tracks such as my favorite
Woongsan (
MQS at 24bit/176.4kHz), violin or Erhu solo, gospel and pop albums. The dual-AK4497 DAC also contributes significantly because you definitely need all the resolution and density available when you deal with HD800.
If you are going to audition the Cayin N8 prototype at CanJam London, make sure you’ll check out the two different Power Rating Modes. In fact, you should be able to hear the different even with low impedance IEMs if you don’t mind a shorter battery duration.
By the way, the naming of this feature are temporary, they are direct translation form the Chinese name, so if you can come out with a better name, feel free to suggest, we'll consider anything.