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For example here. I agree generally with this, but would add that if the recording quality is "right", there is no congestion at all with the LCD-2. It can break down in complex passages on bad recordings though. On my rig the HD800 can be more forgiving for these recordings, I never expected that to happen. But as I have also said the LCD-2 can sound much better with some of my bad vinyl. It just depends on how the music is recorded. The LCD-2 and the HD800 aren't perfect but they do what they do very well and provide a great contrast to each other. But neither of these headphones, for all of their prowess, are as versatile as my HE-6.
I don't think this is the issue in my case, considering I listen to some of the better recorded music in existence in general. I think it has to do with the bass quantity in the recording at a particular point, as the driver has to move more. Whether or not this is a limitation of my setup at the time, or the headphone itself is hugely up for debate, so I'd rather not go into it, but I've heard several local guys provide similar impressions.
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Skylab said:
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I have no issue with Mr. Green posting his thoughts on the LCD-2, because he owned them. Mr. Green has just as much right to post his negative impressions. I don't agree with many of his criticisms of the LCD-2, but I actually owned ER4's very briefly, and found them to be very thin sounding. So I can see where someone who likes that tonal balance would have issue with the LCD-2. Neither viewpoint is "correct". They are just viewpoints.
Funnily enough, you came up in a local person who was looking at the LCD-2. Naturally they had been explained to what I consider a fundamental difference between us - our taste in frequency balance. Your collection, by and large, is made up of headphones I would consider dark.
Moderators don't seem to appreciate my input as much (I've received several ban threats, for example
. But that's just the way head-fi is.)
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Nihility said:
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i just wish there was a way for me to audition them first
Given the er.. rather large spread of frequency balances in your signature, it could go either way. I would suggest hunting them down (or a head-fier who owns them) before buying. I was actually planning to own the headphone until I heard it. Technical death metal seems to have complex bass as well in my brief exposure to it - which means that, by my experience it is possible the LCD-2 could fail a little (much of the music where I personally found it broke down had much less complex bass than TDM, but had a much more busy midrange overall).
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nigeljames said:
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LCD-2's are in a so much higher class that they don't sound anything like HD650's (thankfully).
The only reason they are compared at all is because they both are said to have a 'dark' character. However the LCD's extend far higher than the HD650's and the highs are not as recessed although more recessed than 'bright' phones.
I agree for hte most part but can say with some confidence that the LCD-2's are the darkest pair of headphones I have ever heard. I personally owned the DT770 pros (the 80 ohm version) for an extended period of time. Another distinction between the HD650 and the LCD-2 is that the LCD-2 comes across as "heavier" across the bass and mid frequencies, although I would go further to say that the lower end sounds more bloated on the HD650 (hopefully owners of both know what I mean?)