edwardsean
Headphoneus Supremus
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- Jul 7, 2006
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I think I can be humble and say in all my 30 years working in professional recording studios no manufacturer supplying the studio with electronic equipment ever advised “burn in time”. I humbly suggest that recording studios are a place where critical listening is the norm for their staff on a daily basis. Ijust don’t get how it could ever be a different case for hobbyists and miniaturised electronic equipment that sits in the palm of a hand.
This topic of burn-in is exhaustively litigated among audiophiles. I appreciate the pro audio perspective. I've spent decades in that world too and I think we do talk about the need to have gear "run-in."
I also think you have a point though because the attitude toward burn-in is much more casual than in the audiophile world. You figure, given the fact that pro audio folks are "pros," that they would be more meticulous about burn-in! I take it that you reason that pros aren't as concerned with burn in because it's not really a thing. That's thoroughly reasonable. I have a different take.
I don't think pros are as concerned with burn in as audiophiles for other reasons.
1) Pro equipment is for work. The gear is going to get used and run in without worrying about it. They're not just sitting around listening to gear. There's work to do.
2) Pros know gear and are regulalry around a wide range of setups. Audiophiles have extremely limited exposure and access to that kind of variety. If you just bought a brand
new Avalon Pre, you've already used it before in a studio or somewhere. You know how it's going to sound. You don't stress about whether it's tight out of the box.
3) Pros do set the standard for critical listening. But, thats's exactly the difference between pros and audiophiles:
Audiophiles pursue what sounds good. Pros pursue what sounds–true.
At home, when a headfier's amp burns in and sounds more open and lush, they rejoice. That's what they're chasing. In the studio, you are wary that it's lying to you. It's more important that it's accurate, and you know its sound and how it translates.
I don't know. These are , humbly, just the first two-cents worth that came to the front of my mind. I love it when the pro audio world and audiophile world intersect.