AUDEZE LCD-1 Review
There are only two reviews of the Audeze LCD-1 in the reviews section, both from Headfiers who already have Audeze headphones that are considerably more expensive than these ones. With that in mind I thought I’d review these from the point of someone who doesn’t have TOTL gear and is looking for an upgrade that might transform their listening experience.
Background: My headphones consist of three Sennheisers (HD580, HD6XX and the older wired Momentum 2s) and the exceptional Flare Gold iems. I tend to use the Golds as portables and the Senns sit at home attached to my iMac. I also have the Shure SRH840 which I use at work. The HD580 is there for classical music and the Momentums for rock/pop/EDM/etc. I bought the HD6XX on a whim as I’d read that they were exactly the same as the famous HD650. The jury is still out on these for me. The HD580 is still a superb headphone and their strength lies in their ability to reproduce tone and timbre which is ideal for classical music. There are two things that they don’t that well. The first is bass reproduction, yes it’s tight and controlled but it’s essentially anaemic. Imaging and instrumental placement could also be somewhat better. I wondered if, for a reasonable price, I could improve on them. Everything was pointing towards the Shure 1540 but they just seemed a bit overpriced for a closed back headphone.
Deciding to buy: While I was researching the Shures and alternatives I came across a couple of reviews of the LCD-1 and my curiosity was piqued. Many of the audio qualities that planars have seemed to be ideal for my classical music listening but the issue had been price. Suddenly, here was a planar headphone from a highly respected audio company at what seemed a very good price. I plunged into the reviews and at times I was wondering if different reviewers were listening to the same set of cans because they varied so much. Lieven, from Headfonia, has always been a go to guy for me with his reviews and it was reading what he said that made me decide to purchase them. Once again, the nice people at ‘Addicted to Audio’ were the people I went to when purchasing.
Unboxing and Listening: The unboxing has been well covered by the previous two reviewers so I’ll skip most of that apart from saying that these were very tastefully packaged and the carry case (which I probably won’t use) is solid and sturdy. They sit comfortably on my head though you do have to think about how you position them to get the best effect but this only takes a few seconds. I’d have preferred a shorter cable but at least it’s not as long as the stock Senn cable for the 580.
First Impressions: My initial audition straight out of the box was somewhat underwhelming and I began to wonder if I’d made a big mistake. They seemed a little tame in the top end, lacking a bit in dynamics and I’d heard stronger bass from my Momentum 2. The soundstage was somewhat compressed though instrument placement and isolation was simply outstanding and that was one of the qualities I was looking for. As I continued to listen to them they began to improve and I used a variety of music to put them through their paces. It wasn’t until I went back to my Flares that I began to realise how good these were. The Flares originally sold for $AUS1700 (fortunately I got them used for less than half that) and you could hear their price reflected in their sound. I’ll do a comparison later in this review. After a week of using the LCD-1 I was delighted with my decision to buy them.
How Do they Sound? As far as I’m concerned these are exceptionally good and the best sounding cans I own, pushing the Flares into second place. What do I like about them? Imaging is top of the list and was my top purchase criteria. Listening to the Beaux Arts Trio’s recording of Haydn’s Gypsy Trio, each member of the ensemble occupied their own separate space. This is impressive as often with piano trio recordings the piano bleeds into the space occupied by the two string players. With the LCD-1, pianist Menahim Pressler sat perfectly between the violin and the cello and I could hear all three separately. I got a sense of being there in person. The second thing that stood out was how natural they sound and I believe a lot of this is down to their level of detail and resolution. It’s been said that increased detail comes from an increased emphasis in the treble but that’s not what I hear. I’m talking about attack and decay of notes. I’m talking about tonal and timbral accuracy. I’m talking texture and also dynamics and it was the latter really made me sit up and listen. A gradual increase in volume (dynamic range) was accurately portrayed during crescendos as opposed to the impression that the music had got louder.
Treble: One of the comments made in some reviews was of a slightly peaky treble. I did hear this at times but worked out that this tended to be a recording and mastering issue and not mistuning on Audeze’s part. I found the treble to be clean, clear and non-fatiguing yet it didn’t sound as if it was rolled off as it is in the 6XX.
Midrange: The midrange is outstanding yet it doesn’t dominate. I am aware of what is happening both above and below that FR. It is alive and energetic yet not seemingly coloured in any way. This results in excellent PRaT. You could say that the midrange is very close to neutral. What also stands out is the texture and resolution. I can hear fingers slide along a guitar string, that slight intake of breath as a vocalist prepares to sing that next line. Tonality and timbre stand out. Well recorded piano is accurately and beautifully portrayed, vocals sound natural and unless it’s been part of the recording process, sibilance is non-existent. The same goes for vocal harshness or shrillness, if it’s not there in the recording then you won’t hear it through the LCD-1.
Bass: A number of reviewers didn’t like the bass (not enough of it) while others sang its praises. To be blunt, if you’re a basshead then the LCD-1 is not for you as the bass does not dominate the frequency range. Some reviewers said it lacked ‘bass slam’. Sorry, but bass doesn’t slam. It might rumble and grumble and be felt viscerally in the pit of your stomach but it doesn’t slam. What did slam was percussion at the upper bass/lower midrange level and this was ‘impactful’, to use a very hackneyed phrase. One of the aspects I’ve always liked about my Flares is the depth and quality of their bass but with the LCD-1 I heard things that the Golds have never reproduced. They go very deep into the sub bass and what’s more there is an impression of texture and layering in the lowest registers that I’ve never heard before. The ultimate test for this is pipe organ and the reproduction of a 32 foot organ pipe brought out the actual note and not an indistinct rumble. You could also hear the chuffing as the air was forced through the pipe. Where the Flares do beat the Audeze is the dynamics in their sub bass. The LCD-1 is dynamically quieter in this region but that said they are incredibly accurate. I love Robbie Shakespeare as a bassist. He’s really a lead guitarist looking to come out of the closet because that’s how he plays his bass. With the LCD-1 you can follow his convoluted rhythms and hear each note clearly as different from the one that preceded it, no matter how low he goes. However, I did want a bit more oomph in the sub bass and managed it by simply raising the 32hz and 64hz range by about +3dB. It still sounds great and it’s not lost any accuracy, clarity or detail.
Sound Stage: I don’t have any issues with the sound stage while some did say it sounded narrow and compressed it was certainly far better than my Momentums. I thought it was wide enough and while there was depth maybe this could have improved. Then again this might be an artefact of my DAC/Amp.
Other Headphones: This brings me to headphone comparisons. First, my Flare Golds. These are great iems and do many of the things that I like extremely well (imaging, tonal accuracy, good sub bass and musicality) but I feel the LCD-1 does them a bit better. My Momentum 2s sound muffled and distorted in comparison to the Audeze. I love my HD580 and would never part with it because it’s been my go to for classical and acoustic music for ages now. However, the LCD-1 has pushed it out of contention in all aspects. No amount of EQing is ever going to fully bring out the lower registers of the HD580 as Sennheiser tuned this aspect out of it. That said, I can still see me using them for piano music, especially the more historical recordings.
Now I get to the contentious part, comparing them to the venerable HD650. I’m basing my opinion on the fact that everyone says the 6XX and 650 are exactly the same. If they’re not the same then what comes next may not be valid but quite simply, the LCD-1 easily outperforms the Sennheiser in virtually every area. What’s wrong with the HD650? Well, there’s the significantly rolled off treble and imaging that puts everything in just three places - the centre, left and right. (It’s also very narrow). Bass has a middle of the range boost and the midrange is emphasised at the expense of the rest of the FR. People talk about the Sennheiser veil and I’m one of those who thinks that it exists, certainly as far as the HD650 is concerned. “Oh, you need a decent and powerful amp to remove the veil” the HD650 aficionados will say. Will 3.5 watts of pure class A amplification at 16 ohms do? If not, what will?
Final thoughts: This review is from the perspective of someone whose budget is limited but wants audiophile sound. I’m running the LCD-1 out of my iMac through the Burson Playmate 2 DAC/Amp. I’m using the SoundSource 4 app to do that little bit of equalisation I talked about. Music came from my own CDs and Level 5 FLAC files. I also used Deezer’s HiFi streaming which I am trialling at the moment (but will not take up). While writing this, Qobuz came online for Australians and this changed the game for me and put Deezer out of the running.
Would I recommend these headphones? Most definitely, especially to those for whom it would be an upgrade like it was for me. For those with far more expensive planars and other TOTL cans I imagine they will be able to pick holes in the LCD-1 sound though I suspect they might be small holes. I haven’t heard any of those more expensive headphones and the LCD-1 satisfies all the criteria I have for great sound. What is paradoxical is that I bought them with the intention of using them mainly for classical music yet I’ve spent a lot of time listening to other genres that I thought my Momentums and the 6XX would take care of. I’ve used both while doing this review and just want to take them off my head and go back to the LCD-1.
As an aside, the LCD-1 improved in sound quality over the first 20-30 hours of use. Now whether that’s burn in or my ears adjusting to the sound signature of the Audeze I don’t really know. What I do know is that for me they got better with more listening. Did they just need a bit of loosening up? Audeze claim to do a burn in for all of their headphones before shipping them. Maybe it just needed a bit more. I suspect my headphone buying is over for now. I’ve got the Audeze LCD-1 for home and the Flare Gold for music on the move via my A&K Junior or my iPhone.
There are only two reviews of the Audeze LCD-1 in the reviews section, both from Headfiers who already have Audeze headphones that are considerably more expensive than these ones. With that in mind I thought I’d review these from the point of someone who doesn’t have TOTL gear and is looking for an upgrade that might transform their listening experience.
Background: My headphones consist of three Sennheisers (HD580, HD6XX and the older wired Momentum 2s) and the exceptional Flare Gold iems. I tend to use the Golds as portables and the Senns sit at home attached to my iMac. I also have the Shure SRH840 which I use at work. The HD580 is there for classical music and the Momentums for rock/pop/EDM/etc. I bought the HD6XX on a whim as I’d read that they were exactly the same as the famous HD650. The jury is still out on these for me. The HD580 is still a superb headphone and their strength lies in their ability to reproduce tone and timbre which is ideal for classical music. There are two things that they don’t that well. The first is bass reproduction, yes it’s tight and controlled but it’s essentially anaemic. Imaging and instrumental placement could also be somewhat better. I wondered if, for a reasonable price, I could improve on them. Everything was pointing towards the Shure 1540 but they just seemed a bit overpriced for a closed back headphone.
Deciding to buy: While I was researching the Shures and alternatives I came across a couple of reviews of the LCD-1 and my curiosity was piqued. Many of the audio qualities that planars have seemed to be ideal for my classical music listening but the issue had been price. Suddenly, here was a planar headphone from a highly respected audio company at what seemed a very good price. I plunged into the reviews and at times I was wondering if different reviewers were listening to the same set of cans because they varied so much. Lieven, from Headfonia, has always been a go to guy for me with his reviews and it was reading what he said that made me decide to purchase them. Once again, the nice people at ‘Addicted to Audio’ were the people I went to when purchasing.
Unboxing and Listening: The unboxing has been well covered by the previous two reviewers so I’ll skip most of that apart from saying that these were very tastefully packaged and the carry case (which I probably won’t use) is solid and sturdy. They sit comfortably on my head though you do have to think about how you position them to get the best effect but this only takes a few seconds. I’d have preferred a shorter cable but at least it’s not as long as the stock Senn cable for the 580.
First Impressions: My initial audition straight out of the box was somewhat underwhelming and I began to wonder if I’d made a big mistake. They seemed a little tame in the top end, lacking a bit in dynamics and I’d heard stronger bass from my Momentum 2. The soundstage was somewhat compressed though instrument placement and isolation was simply outstanding and that was one of the qualities I was looking for. As I continued to listen to them they began to improve and I used a variety of music to put them through their paces. It wasn’t until I went back to my Flares that I began to realise how good these were. The Flares originally sold for $AUS1700 (fortunately I got them used for less than half that) and you could hear their price reflected in their sound. I’ll do a comparison later in this review. After a week of using the LCD-1 I was delighted with my decision to buy them.
How Do they Sound? As far as I’m concerned these are exceptionally good and the best sounding cans I own, pushing the Flares into second place. What do I like about them? Imaging is top of the list and was my top purchase criteria. Listening to the Beaux Arts Trio’s recording of Haydn’s Gypsy Trio, each member of the ensemble occupied their own separate space. This is impressive as often with piano trio recordings the piano bleeds into the space occupied by the two string players. With the LCD-1, pianist Menahim Pressler sat perfectly between the violin and the cello and I could hear all three separately. I got a sense of being there in person. The second thing that stood out was how natural they sound and I believe a lot of this is down to their level of detail and resolution. It’s been said that increased detail comes from an increased emphasis in the treble but that’s not what I hear. I’m talking about attack and decay of notes. I’m talking about tonal and timbral accuracy. I’m talking texture and also dynamics and it was the latter really made me sit up and listen. A gradual increase in volume (dynamic range) was accurately portrayed during crescendos as opposed to the impression that the music had got louder.
Treble: One of the comments made in some reviews was of a slightly peaky treble. I did hear this at times but worked out that this tended to be a recording and mastering issue and not mistuning on Audeze’s part. I found the treble to be clean, clear and non-fatiguing yet it didn’t sound as if it was rolled off as it is in the 6XX.
Midrange: The midrange is outstanding yet it doesn’t dominate. I am aware of what is happening both above and below that FR. It is alive and energetic yet not seemingly coloured in any way. This results in excellent PRaT. You could say that the midrange is very close to neutral. What also stands out is the texture and resolution. I can hear fingers slide along a guitar string, that slight intake of breath as a vocalist prepares to sing that next line. Tonality and timbre stand out. Well recorded piano is accurately and beautifully portrayed, vocals sound natural and unless it’s been part of the recording process, sibilance is non-existent. The same goes for vocal harshness or shrillness, if it’s not there in the recording then you won’t hear it through the LCD-1.
Bass: A number of reviewers didn’t like the bass (not enough of it) while others sang its praises. To be blunt, if you’re a basshead then the LCD-1 is not for you as the bass does not dominate the frequency range. Some reviewers said it lacked ‘bass slam’. Sorry, but bass doesn’t slam. It might rumble and grumble and be felt viscerally in the pit of your stomach but it doesn’t slam. What did slam was percussion at the upper bass/lower midrange level and this was ‘impactful’, to use a very hackneyed phrase. One of the aspects I’ve always liked about my Flares is the depth and quality of their bass but with the LCD-1 I heard things that the Golds have never reproduced. They go very deep into the sub bass and what’s more there is an impression of texture and layering in the lowest registers that I’ve never heard before. The ultimate test for this is pipe organ and the reproduction of a 32 foot organ pipe brought out the actual note and not an indistinct rumble. You could also hear the chuffing as the air was forced through the pipe. Where the Flares do beat the Audeze is the dynamics in their sub bass. The LCD-1 is dynamically quieter in this region but that said they are incredibly accurate. I love Robbie Shakespeare as a bassist. He’s really a lead guitarist looking to come out of the closet because that’s how he plays his bass. With the LCD-1 you can follow his convoluted rhythms and hear each note clearly as different from the one that preceded it, no matter how low he goes. However, I did want a bit more oomph in the sub bass and managed it by simply raising the 32hz and 64hz range by about +3dB. It still sounds great and it’s not lost any accuracy, clarity or detail.
Sound Stage: I don’t have any issues with the sound stage while some did say it sounded narrow and compressed it was certainly far better than my Momentums. I thought it was wide enough and while there was depth maybe this could have improved. Then again this might be an artefact of my DAC/Amp.
Other Headphones: This brings me to headphone comparisons. First, my Flare Golds. These are great iems and do many of the things that I like extremely well (imaging, tonal accuracy, good sub bass and musicality) but I feel the LCD-1 does them a bit better. My Momentum 2s sound muffled and distorted in comparison to the Audeze. I love my HD580 and would never part with it because it’s been my go to for classical and acoustic music for ages now. However, the LCD-1 has pushed it out of contention in all aspects. No amount of EQing is ever going to fully bring out the lower registers of the HD580 as Sennheiser tuned this aspect out of it. That said, I can still see me using them for piano music, especially the more historical recordings.
Now I get to the contentious part, comparing them to the venerable HD650. I’m basing my opinion on the fact that everyone says the 6XX and 650 are exactly the same. If they’re not the same then what comes next may not be valid but quite simply, the LCD-1 easily outperforms the Sennheiser in virtually every area. What’s wrong with the HD650? Well, there’s the significantly rolled off treble and imaging that puts everything in just three places - the centre, left and right. (It’s also very narrow). Bass has a middle of the range boost and the midrange is emphasised at the expense of the rest of the FR. People talk about the Sennheiser veil and I’m one of those who thinks that it exists, certainly as far as the HD650 is concerned. “Oh, you need a decent and powerful amp to remove the veil” the HD650 aficionados will say. Will 3.5 watts of pure class A amplification at 16 ohms do? If not, what will?
Final thoughts: This review is from the perspective of someone whose budget is limited but wants audiophile sound. I’m running the LCD-1 out of my iMac through the Burson Playmate 2 DAC/Amp. I’m using the SoundSource 4 app to do that little bit of equalisation I talked about. Music came from my own CDs and Level 5 FLAC files. I also used Deezer’s HiFi streaming which I am trialling at the moment (but will not take up). While writing this, Qobuz came online for Australians and this changed the game for me and put Deezer out of the running.
Would I recommend these headphones? Most definitely, especially to those for whom it would be an upgrade like it was for me. For those with far more expensive planars and other TOTL cans I imagine they will be able to pick holes in the LCD-1 sound though I suspect they might be small holes. I haven’t heard any of those more expensive headphones and the LCD-1 satisfies all the criteria I have for great sound. What is paradoxical is that I bought them with the intention of using them mainly for classical music yet I’ve spent a lot of time listening to other genres that I thought my Momentums and the 6XX would take care of. I’ve used both while doing this review and just want to take them off my head and go back to the LCD-1.
As an aside, the LCD-1 improved in sound quality over the first 20-30 hours of use. Now whether that’s burn in or my ears adjusting to the sound signature of the Audeze I don’t really know. What I do know is that for me they got better with more listening. Did they just need a bit of loosening up? Audeze claim to do a burn in for all of their headphones before shipping them. Maybe it just needed a bit more. I suspect my headphone buying is over for now. I’ve got the Audeze LCD-1 for home and the Flare Gold for music on the move via my A&K Junior or my iPhone.