That has been my experience, yes I find the Atrium to be nearly as forgiving as the Aeolus, which I sold to fund the Atrium. I love the Aeolus sound as well, but the added resolution & biodynamic tone of the Atrium just won me over.Now that I have been listening to my Auteurs for a month or so, and loving them, I have resigned myself to the notion that I will have to buy the Verite open (which I ordered recently after too many cocktails) and the Atrium, and listen for extended periods to find out if one is my Goldilocks (just right) headphone. Or perhaps one is perfect for jazz while another is my favorite for rock. Can’t imagine keeping all three, but some of you have even more ZMFs than that!
As I sit here listening to Joe Henry’s new album, I am thinking it couldn’t get much better. However, on some music that is not as well recorded, the Auteurs have sounded a bit harsh and I know it is merely conveying the harshness of the recording itself. I have read that the Verite is unforgiving but amazing with well-recorded music. Would the Atrium be more “forgiving” and smooth out poor recordings?
I'm using the solid mesh, not the perforated so that could definitely be a factor, but I haven't felt the upper mids to be too fatiguing. Chain of components could also be a part of my experience, YMMV. I find many of @haasaaroni 's observations to be similar to my own, so there could be some other factor I'm missing. I haven't gotten ears on an Atrium Classic, but I should be able to spend some time with a loner soon (I'll surely hear them at CanJam as well)
Good luck!!