DannyBai
Headphoneus Supremus
- Joined
- Nov 21, 2010
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Yes sir Mr Wayne, can't forget about that full bass and smooth treble.
Just listened to my FX3X for the first time in months. Been a while but I wrote some comparisons to the DX210 here. http://www.head-fi.org/t/586909/the-discovery-thread-new-jant71s-take-on-the-new-ath-clr100-pg-618-zero-audio-carbo-basso-pg-601/10095#post_9467559
Just listened to my FX3X for the first time in months. Been a while but I wrote some comparisons to the DX210 here. http://www.head-fi.org/t/586909/the-discovery-thread-new-jant71s-take-on-the-new-ath-clr100-pg-618-zero-audio-carbo-basso-pg-601/10095#post_9467559
For you sf. I managed to find my FX3X. Your right I forgot how good these things are but comparing them to the DX210.. There are some very notable refinements over the FX3X that I noticed on the DX210.. Particularly in the highs..Believe it or not the FX3X extend more in the highs but also has the peaks associated with that extension. Lower highs are accented on many AT and JVC earphones for female vocal and instrument clarity.. These are typical of the JVC, AT tuning in this regard. The FX3X is a bit on the V side of sound balancing because of this much like the FX101. It took a long burn in to tame the peaks of the FX3X on my particular pair and they do sound great. A killer deal for around $30 and lower.
The DX210 doesn't extend as much in the highs but makes up for it with a better balance and very solid details in the highs with better instrument separation and micro detailing vs the accented higher range in the lower to mid highs of the FX3X. The DX210 overall makes for a more coherent sound over the FX3X..Vocals are clearly better balanced on the DX210 relative to the instruments. The FX3X has the edge in the bass department but not by much..The DX210 can definitely hit them notes with authority which when you add that full more detailed mid range and smoother highs makes for a real enjoyable listening experience..Refinement is what separates the two.
The FX3X stage is also very notable and the DX210 comes very close in this department. I do think the sound of the DX210 has more depth in the overall sound over the FX3X. The DX210 sounds like a more refined FX3X. Smoother better balanced..The FX3X however I forgot how good they are.. Will have to listen to these more often.
Just reposting my initial thoughts that was posted on the Discovery Thread...
I won't cover anything else aside from the sound because I believe Ds has that covered in his previous review of the Carbo Basso.
This is my impression straight out of the box and changed the tip withMeelec double flange tips(Update: 25/05/13 - D's was right; the Bassos sound better with narrow bore tips. I'm currently using the stock tips and the bass is much tighter and well defined.).
Source: Ipod Touch 5Gen
Amp: FiiO E11 (EQ: 0; Gain: low)
BASS
One word: WOW! This pair has the most authoritative bass I've ever heard in an IEM. Very clean, goes really deep and just right in between Punchy and Boomy bass. To me it's just perfect... I now hear a lot of micro details in the lower frequencies (details that I didn't really notice with the XBA 3). This reminds me of the FX3X bass but more refined and detailed. Listening to Megadeth's Kill the King and this can really handle with heavy metal speed. Not as fast as the XBA 3 but the timbre and decay is so much more authentic. Double bass kicks sounded so good, exactly how you hear it on a live concert!
MIDS
Midrange is so smooth and just about right...not as forward as the XBA 3 but(Update: 25/05/13 - After 100 hrs of break-in or maybe brain burn-in, the mids and highs are now more open and details are quite clear to me. Mids are more forward and better than the MH1c/XBA3.) is never lacking and it doesn't disappoint. It doesn't leave you wanting for more because it's there. But for those who love vocals tho, especially female vocals; this may not be the right IEM for you. Mids are not forward enough to highlight female vocals. These phones are not for those who focus on a particular component in a song: may it be guitars, drums, or vocals; this IEM is for those who listen to a song as a whole and have fun with the entire presentation.
HIGHS
Buttery smooth... think about MH1c with further refinement/tuning. I just love how this pair NEVER reach sibilance. I've thrown every pitchy song in my collection and not once did this pair sounded sibilant. If you have songs by pitchy female artists such as Taylor Swift or Avril Lavigne, this IEM is the solution. I turned up the volume all the way to the top (w/o amp) and their voices didn't go overboard! I believe I can listen to the Carbo Basso all night long and I'd never feel fatigue. It doesn't have the detailed precision of the XBA 3 and CKN70, but on the other hand: it doesn't have the artificial peaky sound either. Just a smooth and refined highs with enough detail to produce a fun yet non-strident music.
DETAILS
While midrange and treble where not spectacular(like CKN70), the details in the bass department will more than make up for it. This is not an analytical IEM and should never be evaluated as one. As a fun IEM, this delivers more than what's expected. Compared to the XBA 3, the Sony excels in the high frequencies but the DX210 owns the XBA 3 in the lower frequencies. (Update: 25/05/13 - After 100 hrs of break-in or maybe brain burn-in, the mids and highs are now more open and details are quite clear to me. Highs - tho not as good as the CKN70, it is good enough for a VERY satisfying listening session.)
I'm loving the DX210... This is not a neutral/analytical IEM but a fun and well balanced BASS IEM. It will not replace my XBA 3 but it will definitely get heaps of ear-time because it's just so much fun to listen to. You can really enjoy each and every song in your playlist. That amazing bass even transforms classic acts such as England Dan and John Ford Coley and make their songs sound like they've just been recorded in the recent years. As a result, those oldies don't sound so out of place when they play right after a modern pop song. For $42, I'd say the Zero Audio Carbo Basso DX210 is worth MORE than what I paid for.
My apologies for not providing more details as I am still a novice at this... but I do know when a pair of cans sound good/bad. A big thanks to Dsnuts for this discovery, it is an awesome IEM for the price indeed!
Hey d marc0, I gotta say I love those impressions. Very nicely said!
Thanks Wayne! They're so good I can't help but praise them Bassos
I'm hoping the Tenores will be just as amazing.
Just got mine yesterday, gotta admit that I prefer the ~20hrs basso to my EPH100.