desik
100+ Head-Fier
- Joined
- Jun 29, 2010
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Anyone could compare Milo with a $1000+ tube amp?
Anyone could compare Milo with a $1000+ tube amp?
That's a pretty broad category... but it was good enough that I kept it and sold my $3,000 tube amp. Milo is super tight, controlled and articulate, and if you are mostly using planars, it's pretty tough to beat for less than $3k. Of course, there are some amps that are so different they are almost impossible to compare... and by that I mean OTLs, but those won't drive planars or low impedance dynamics. Milo isn't bloomy or romantic like that. I would say the more appropriate emotional association would be fun and excitement. The Milo is very fast, dynamic and impactful, and it really brings planars to life in a way very few other amps do... particularly the HE-6 and the Abyss, which are both extremely difficult to drive.
To be more specific: I'm interested how it would compare to tube amps for high impedance headphones. Someone said early in this thread that HD800 sounds better from Milo than from anything else. Curious what was that else. For planars I have no doubt Milo is no brainer.
To be more specific: I'm interested how it would compare to tube amps for high impedance headphones. Someone said early in this thread that HD800 sounds better from Milo than from anything else. Curious what was that else. For planars I have no doubt Milo is no brainer.
You are not wrong. My stock HD650s sound better on the Milo than any other amp I've tried. I still don't use it much, the Eikon is King of all in my house.
You might be meaning me. I didn't say it sounds better the HD800 sounds better on the Milo than anything else, I did say that it was the best I have ever heard it.
You are not wrong. My stock HD650s sound better on the Milo than any other amp I've tried. I still don't use it much, the Eikon is King of all in my house.
Any impressions yet on the Eikon as driven by the Jot vs the Milo yet? Wondering if there's a big jump in performance with that much power behind them from the Milo.
Jot seems to have a wee bit more bass impact, but everything is cleaner and more resolving on the Milo. Tonal balance is better. Everything seems right.
In short, Milo is a lot like the Jotunheim, if the Jotunheim were on the NZT-48 drug from the movie Limitless.
I'm not comparing the two beyond that. The Jot already got moved to my work setup, to replace my ifi iCan se that I used to use there.
Anyone want to buy my Ifi? Hehehe
Just checking in to see if anyone had any further experience with the Milo and the LCD4s. Sounds like a strange choice to make, but I'm sort of torn between one of these and the ALO Studio Six (I know, I know) - both get some of the most overwhelmingly wonderful reviews I've ever seen of any amp. I've been told that the Studio Six should drive the LCD4s fine despite the deceiving specs, the Milo obviously will. Trying to gather info from both camps. I'm really looking for something that will accentuate the strengths of this headphone, which, really, is everything. I do rather love bass, but I rather like it to be tight and controlled. I love detailed treble, but I cannot stand piercing, bright treble. I'm extremely sensitive to harshness of any kind. Also, stage and separation is nice to have.
Thanks in advance.
Well, it sounds like you're looking in the right place. I'm pretty sure Milo has the tightest bass I have heard. It controls the HE-6 and the Abyss with no effort at all. And paired with the Abyss, it can summon more impact than anything else I have heard, aside from the higher-end Wells amps. I'm pretty sure it would be absolutely stunning with the LCD-4, as well.
Also treble on "problem" headphones like HD800 and HE-6 is under extremely firm control - there aren't many "reference neutral" amps that can do that, in my experience. Most of them will drift at least somewhat warm. Milo is able to do it simply via its firm control over the headphone.
IMO, there is no other amp that can do what it does with planars for anywhere near the price. That being said, I've never compared it against the ALO Studio 6, nor have I heard the LCD-4 with the Studio 6, so I really can't offer any commentary as to how they perform relative to one another.
Just checking in to see if anyone had any further experience with the Milo and the LCD4s. Sounds like a strange choice to make, but I'm sort of torn between one of these and the ALO Studio Six (I know, I know) - both get some of the most overwhelmingly wonderful reviews I've ever seen of any amp. I've been told that the Studio Six should drive the LCD4s fine despite the deceiving specs, the Milo obviously will. Trying to gather info from both camps. I'm really looking for something that will accentuate the strengths of this headphone, which, really, is everything. I do rather love bass, but I rather like it to be tight and controlled. I love detailed treble, but I cannot stand piercing, bright treble. I'm extremely sensitive to harshness of any kind. Also, stage and separation is nice to have.
Thanks in advance.