Reactcore
1000+ Head-Fier
Rob said in the last interview: 'hope to release it end of this year'.. may is just too early i thoughtNone of these products interest me, I was hoping to see the super scaler, oh well.
Rob said in the last interview: 'hope to release it end of this year'.. may is just too early i thoughtNone of these products interest me, I was hoping to see the super scaler, oh well.
Yes.Rob said in the last interview: 'hope to release it end of this year'.. may is just too early i thought
What has the world come to?Yes.
For the Ultima pre-amp announced yesterday, What Hifi are saying pre-order now for delivery in September.
Based on that sort of lead-time, we may need to wait another two or three months for an official announcement about the super scaler.
In fairness to Chord, even a few years ago it was normal that new products were announced, with two or three months lead time before shipping.What has the world come to?
There was a time, they used to chase us for our money, with ready to ship gadgets, now it is the reverse!
I ordered my EV car back in August, still waiting for delivery, and no, not a fancy one, just a Hyundai.
The inter-sample overload is a real thing, but extremely unlikely to occur in practice, as it requires to clip for only one output sample, and to be of the correct phase too. Moreover, the ADC would have clipped internally before decimation, and this would have caused problems for the analogue part of the ADC. The clip light on the recording ADC would have lit up, and either dynamic compression employed, or the sound engineer would have backed of on the levels.
Another issue, which again is extremely unlikely to occur (infinite monkeys with one typing out a Shakespeare sonnet springs to mind) is if an input signal is exactly the same frequency as the coefficients, and it aligns so that positive matches the positive values of the coefficients, then the OP will be the modulus of the filter coefficients - that would be around a +12 dB overload! But this can't happen with music.
My reasoning for the overload margin is basically to cover Gibbs phenomenon - where you get an overshoot with transients or square waves when the filtered signal naturally overshoots. You need about 2dB headroom to cover this. My setting of -2.73dB was to cover this, and it's a convenient number for my SPDIF de-emphasis filter built into the DACs. If de-emphasis is done in the M scaler, and if the filter no longer needed a Gibbs overload, then I could reduce overload margins. But I am not sure this would actually have any audible benefit though.
No - but when I last looked at the decoding code from Dolby, it was not source files but bit files - so you do not get the source code to do your own coding.
I haven't played around with mains conditioners, as they don't do a good job with RF. I did try some ferrites on the mains cable, but I couldn't hear a change.Hi, my M scaler is connected to a 9volt battery, as you suggestedIn your opinion, what is the best power conditioner to connect to the Chord Dave? In the future I may also buy another headphone amp to connect to the Dave
Thank you
I own Chord Dave, Chord M-Scaler and the Focal Clear headphone.I haven't played around with mains conditioners, as they don't do a good job with RF. I did try some ferrites on the mains cable, but I couldn't hear a change.
If you are using normal headphones you won't need to use another headphone amp - unless you want to purposely colour the sound. If you load Dave with a low impedance and listen on headphones, you will hear no change in sound quality. So adding an external amp will only degrade transparency. The only situation where it may make sense is say using Susvara, where Dave can only give 92dB SPL max. That might not be enough, although it's enough for me. Remember that anything over 80dB SPL long term can degrade your hearing.
I don't have a Dave or MScaler, but my experience may be of interest to you.I own Chord Dave, Chord M-Scaler and the Focal Clear headphone.
My idea was to buy the Mjolnir Audio Carbon CC amplifier and the Stax SR-007 MK1 headphone.
But actually I haven't decided anything yet, because my goal is to get the least colored system possible.
Could you help me to do that?
What do you think of my idea or are there solutions that allow me to have an even less colorful system?
I'm not a hifi expert.
Thank you
I had the same experience. The best sound I get is straight out of the Dave. And I use Stealths and the Heddphone which are both power hungry. I'm also not a blind Chord fanboy because the amp I tried was the Chord Anni and I truly hated how it sounds.I don't have a Dave or MScaler, but my experience may be of interest to you.
Using the Mojo and Hugo2, my goto headphones are Aeon Flow Closed.
If I insert an amplifier into the chain, I normally feel a sense of the sound becoming veiled and blunted.
What was so bad about the Anni?I had the same experience. The best sound I get is straight out of the Dave. And I use Stealths and the Heddphone which are both power hungry. I'm also not a blind Chord fanboy because the amp I tried was the Chord Anni and I truly hated how it sounds.
It colored the sound and dulled the transients.What was so bad about the Anni?
OuchIt colored the sound and dulled the transients.
But other people have liked it, so take what I say with a big grain of salt. I have ridiculously sensitive ears.Ouch