Bob: I know you are a fanboy of Erlkonig and Elysium. Please first tell me about the sound differences between Erlkönig and PHöNIX.
SLC: Yes, I do enjoy the sound of Erlkonig and Elysium and that is why I still have them. I have spent a lot of time listening to Erlk and now am spending a lot of time listening to Phonix and I have compared them a lot.
My take is that there are of course a lot of similarities but what it seems to me that VE did is they took Erlk bass from position number 2 and kept that (but they sound different which I will get to). They then either through the new super tweeter or tuning or both increased the staging with the Phonix. This allows a lot more breathing room for the instruments. It does take away from the Erlk intimacy and warmth. But it has added an amazing amount of detail retrieval and has turned it into a more mildy W shaped sound leading to a more forward sound than Erlk. Warmth is still there. Just less than Erlk.
The sound on the Phonix comes at you. It is not there for you to go to it like with Erlkonig. Yes there is still intimacy with the Phonix and the mids are still amazing and engaging and there is still the emotional piece. Emotions coming at you that is. The sound is a coherent more forward sound.
With the stretched-out staging and more forward sound, the bass has become more controlled and has more bite to it. With the opened-up stage the sub bass has room to come out and be part of the action. Both the sub and mid bass are more impactful on the Phonix. A lot more impactful.
The sound on the Phonix is more realistic with the amount of detail it gives versus the very musical Erlkonig. I find both to be excellent. I like the timbre of both but the Phonix timbre is more realistic. The Erlkonig sound has a little halo above each note which adds to the appeal of the musicality and enjoyment of the Erkonig.
Here is another way to compare the two. Setting number 3 is my preferred setting with Erlk. The reduced bass with 3 allows the instruments to breath better. It also allows room for the sub bass to come out more when there is this perceived increase in staging with number 3. I could listen to Erlk on number 3 for hours and never get fatigued but still have an emotional attachment to the music and there is still enough detail.
What I am hearing with the Phonix sound is that they took Erlkonig on number 3 and added steriods to the sound from the top to the bottom frequency. That is it in a nutshell.
Both Erlk and Phonix can coexist because they shine at different things. Both are enjoyable for different reasons.
SLC: Yes, I do enjoy the sound of Erlkonig and Elysium and that is why I still have them. I have spent a lot of time listening to Erlk and now am spending a lot of time listening to Phonix and I have compared them a lot.
My take is that there are of course a lot of similarities but what it seems to me that VE did is they took Erlk bass from position number 2 and kept that (but they sound different which I will get to). They then either through the new super tweeter or tuning or both increased the staging with the Phonix. This allows a lot more breathing room for the instruments. It does take away from the Erlk intimacy and warmth. But it has added an amazing amount of detail retrieval and has turned it into a more mildy W shaped sound leading to a more forward sound than Erlk. Warmth is still there. Just less than Erlk.
The sound on the Phonix comes at you. It is not there for you to go to it like with Erlkonig. Yes there is still intimacy with the Phonix and the mids are still amazing and engaging and there is still the emotional piece. Emotions coming at you that is. The sound is a coherent more forward sound.
With the stretched-out staging and more forward sound, the bass has become more controlled and has more bite to it. With the opened-up stage the sub bass has room to come out and be part of the action. Both the sub and mid bass are more impactful on the Phonix. A lot more impactful.
The sound on the Phonix is more realistic with the amount of detail it gives versus the very musical Erlkonig. I find both to be excellent. I like the timbre of both but the Phonix timbre is more realistic. The Erlkonig sound has a little halo above each note which adds to the appeal of the musicality and enjoyment of the Erkonig.
Here is another way to compare the two. Setting number 3 is my preferred setting with Erlk. The reduced bass with 3 allows the instruments to breath better. It also allows room for the sub bass to come out more when there is this perceived increase in staging with number 3. I could listen to Erlk on number 3 for hours and never get fatigued but still have an emotional attachment to the music and there is still enough detail.
What I am hearing with the Phonix sound is that they took Erlkonig on number 3 and added steriods to the sound from the top to the bottom frequency. That is it in a nutshell.
Both Erlk and Phonix can coexist because they shine at different things. Both are enjoyable for different reasons.