Pharmaboy
Headphoneus Supremus
I'm using the Z1R with Cavalli Liquid Carbon now and it is possibly slightly too dark for some occasion, I want to increase the mids a bit in volume and forwardness.
This is also due to the Z1R being super accurate with room acoustics(some vocal seems a bit far at times, and sometimes it is alright, I like intimate vocals)
I heard that the V280 is neutral but has a little bit of warm in it, can anybody who has both the LC and V280/V281 make a comparison especially in tonality department?
The DAC will be chord Mojo, but I'll definitely upgrade in the future, I just decided that I want to upgrade my amp first.
I also need to buy balanced cable if I go this way I guess (Norne Draug 2C comes to mind, silver cable is just too expensive for me).
Thanks a lot.
I have the LC (nearly finished 150 hrs burn-in); also the V281; but not the Z1R. I've listened to various HPs on each (ZMF Ori/balanced; Fidelio X2's & Marantz MPH-2's/SE). I am still learning about each amp, but so far have had fascinating experiences:
Liquid Carbon
- It's a tiny little box. It runs quite hot. It's kind of handsome, but nothing about it inspires great confidence. It sure doesn't look powerful...
- But it IS powerful. It drives the ZMF Ori like a big dog on a steel leash. I was really shocked how much power comes out, even on the low gain setting (I see no need for high gain switch here).
- It sounds flat-out amazing balanced: big/wide/spacious soundstage; very deep & hard-hitting bass (another big surprise from this little box); and a roundness & "purity" to notes that is very pleasing.
- It also sounds crazy good SE, which I had no expectation of. I had a mind-blowing experience listening to the X2's off the LC the other night, single-ended.
- The X2's illustrate a weird but wonderful thing about the LC: you would think, "Well, this warm, bassy, expansive LC must sound like crap w/a warm, bassy, expansive headphone"--and you'd be wrong. It sounds amazing with headphones like that. Just amazing.
- However, the LC is definitely not a "treble cannon" amp. It's does treble in a way I find quite luscious/satisfying, but if you seek an amp that gives forensic detail, bright arc-light revealing of tiny little sounds in every recording, etc...well, you'll be disappointed.
Violectric V281:
- This is not a little box. It runs only mildly warm. It has just about every feature & control one could ask for (mine has the 128-step volume pot w/remote). It's a big, confident, utterly self-assured piece of audio gear: competent, composed, limitless power. There is nothing the V281 cannot do at least very well, and a few things it does spectacularly well.
- Power: insane. I wouldn't dream of using higher gain (I don't want to be deaf), even on my power-hog ZMF Ori. I can't imagine a pair of headphones that wouldn't be driven to complete satisfaction by this beat.
- Dynamics: extreme. No kidding...I've never heard notes jump out of headphones & speakers like they do w/the V281. I'd be afraid to play Tchaikovsky's 1812 overature w/the big cannon blast...I'd probably get a concussion & face sheet-rock repairs in the office.
- Bass: State-of-the-art. The bass on the V281 goes all to the center of the earth. It reveals all the subtle tonal/timbral shadings of bass instruments. I keep hearing low frequency qualities w/the V281 that I'm not expecting, and I don't mean in some dry/forensive manner (edgy). It's 100% relaxed while it gives you a bass thumping.
- Warm vs neutral: The V281 is my 2nd Violectric amp (the other is the very fine SE Lake People G109-A). I wouldn't call either one truly "warm" ...they don't sugar-coat, filter, or sweeten music to any real degree. However, both are fully capable of relaying the bigness/thickness/impact of lower midrange & bass, whatever's in the recording--sounding just like music IRL (some amps won't do this); and the do treble in a very relaxed, real-sounding way, with plenty of detail but no brightness. Rather than "warm," I consider both amps relaxed, spacious, & big-sounding. Not treble-cannons at all.
- Soundstaging: It's just amazing on the V281, best w/balanced output, but also wonderful w/SE. I know tube amps have a 3D quality SS don't, but IMO this is about as good as SS gets for soundstaging and rendition of space. The V281 is tied w/another great SS amp, the Audio GD SA-31SE, for best soundstaging & "space around notes." Actually, the SA-31SE is even better w/subtle percussion & spatial cues, but doesn't have the towering bass & powerful/relaxed quality of the V281.
- Pre-amp: another huge surprise. I have 3 headphone amps that are also preamps (V281; SA-31SE; M Stage HPA-1), and just sold a 4th, the Burson Soloist. I thought I knew what my powered speakers (Swan M200 MKIII's) + sub (SVS SB-1000) sounded like--but then I plugged in the V281 as a system preamp and REALLY heard this setup. Amazing. Easily the best bass I've ever heard on the desktop...I had no idea where was so much energy in the upper bass/lower midrange on some of my recordings. And again, soundstaging; utter/total confidence in tonal/timbral rendition of music.
At this point, I can't imagine ever not having the LC or the V281...