OK, time for before & after photos of V281 & my recent swap to Sparkos SS3602 opamps:
BEFORE: Showing position of the 2 stock opamps on input board at rear of the V281. Also note the heat fins associated with a nearby transformer that Fried suggested I measure temps of. Note that I don't have a DAC board in my V281, so have clear/easy access to the entire input board. Also note how little space there is between the stock opamp and the nearby (red) component at the front of the input board. This is why a simple/cheap chip-puller suitable for 8 pin chips is so helpful in removing the stock opamps.
AFTER: Showing the Sparkos opamps in place. They fit well in all dimensions and are easy to install.
As mentioned in a previous post, I'm now measuring the temp of those heat fins w/the V281 (top removed) installed in its usual place in full desktop system, where it functions as both line preamp & headphone amp. After 1.5 hours under preamp & headphone loads, the temp is 91 degrees F. That's either .5 degrees higher than my previous measurements in side system--or essentially the same, since this is an analogue/dial type thermometer used in darkrooms, and it's awfully easy to misread.
The DAC in the desktop system is the MHDT Labs Orchid. I thought its output voltage was 2V, but just rechecked the specs. It's 3V!! So I misstated that in a previous post. That means that the Orchid's output voltage is 20% higher than that of the Audio GD DAC-19 I did initial test/temp on (it has 2.5V output). I have no idea if that matters concerning opamp performance.
I'll continue measuring temps all day & will update here if any instability is seen. Not expecting that, though. So far these opamps have been very well behaved.
SOUND:
After ~25 hrs burn-in, the sound continues to be very good. The treble and upper midrange continue to open up noticeably through the Aeolus, and the bass remains noteworthy in quality & quantity. It's so easy now to hear every note from the electric bass--and better appreciate the force with which it's plucked, pulled, or stretched.
I'm hearing more apparent detail & resolution--and maybe a bit of remaining clanginess in the upper mids--but the musical/organic nature of the overall sound is unchanged. One of the cuts I use for roughly gauging sonics is a live-in-the-studio performance by Scary Pockets on youtube covering Sheryl Crowe's "All I Want to Do." The group's guitarist, Ryan Lerman, is a gifted colorist; he plays few notes, but whatever he plays highlights & accentuates the harmony or rhythm. I'm hearing his spare, modestly amped playing (never forward in the mix) way better than I remember hearing on the V281 before swapping opamps. Mainly, I'm hearing more clarity, not more brightness.
Of course, all this comparing is by sonic memory (of stock opamp sound)--so all these comments might just be smoke blowing through the hole in my head. We'll see how things sound after 100-200 hrs burn-in, complete w/a switch back to stock opamps for the final test.