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Vali 2 and Hall9000
Vali 2 and Hall9000
So, I am starting an organised tube rolling exercise on Vali 2 (connected to Mimby). The purpose is to determine what sound signature I like best, possibly several for different kinds of music. Based on reading, I decided to use 2 sets of headphones: dynamic – AKG K702, and planar magnetic – HE400i, assuming that they will produce different signature with the same tube. I have already seen signs of it (e.g hating EH6922 with K702, but loving it with HE400i), but the HE400i need more use to reach their sound profile, so too early for conclusion.
I have assembled the following test sample of tubes for rolling:
Type | Marked | Brand/Producer | Note | Year
6922 | 1239 | ? | Vali 2 stock tube
6922 | 6N23P | Reflektor OTK
6922 | 6922 | Electro Harmonix
5670 | 396A | Western Electric | Black plates, square getter | 1961
5670 | 5670W/2C5V6N3 | GE
5670 | JRC 5670 | RCA | 1964
6SN7 | 6SN7GT OTK | SOVTEK
6SN7 | 6SN7GT | Motorola by Tung-Sol | "Mouse ears"
6C8G | CRC-6C8-G JAN | RCA
PCC88 | | Philips Δ Heerlen
The process will take – I guess - about half a year. Should there be interest, I can share brief reports once in a while as I go along.
I would be grateful for opinions on the tubes sample and the headphones selected, as I can easily add more, if convinced.
If you can find a 6DJ8 one, you will be in for a treat as well.
So, I am starting an organised tube rolling exercise on Vali 2 (connected to Mimby). The purpose is to determine what sound signature I like best, possibly several for different kinds of music. Based on reading, I decided to use 2 sets of headphones: dynamic – AKG K702, and planar magnetic – HE400i, assuming that they will produce different signature with the same tube. I have already seen signs of it (e.g hating EH6922 with K702, but loving it with HE400i), but the HE400i need more use to reach their sound profile, so too early for conclusion.
I have assembled the following test sample of tubes for rolling:
Type | Marked | Brand/Producer | Note | Year
6922 | 1239 | ? | Vali 2 stock tube
6922 | 6N23P | Reflektor OTK
6922 | 6922 | Electro Harmonix
5670 | 396A | Western Electric | Black plates, square getter | 1961
5670 | 5670W/2C5V6N3 | GE
5670 | JRC 5670 | RCA | 1964
6SN7 | 6SN7GT OTK | SOVTEK
6SN7 | 6SN7GT | Motorola by Tung-Sol | "Mouse ears"
6C8G | CRC-6C8-G JAN | RCA
PCC88 | | Philips Δ Heerlen
The process will take – I guess - about half a year. Should there be interest, I can share brief reports once in a while as I go along.
I would be grateful for opinions on the tubes sample and the headphones selected, as I can easily add more, if convinced.
What amp are you using them in, just Vali 2 - if you do not mind my asking?I have a ton of the PCC88 Phillips Heerlen tubes, I like them very much in the Vali2. That being said, I have a ton of 6SN7 tubes, Sylvania, Tung-Sol (USA), RCA, and off brands like Silvertone, Emerson. Most of them sound good, some better than others. You should also try out some 12AU7 tubes with an adapter, so many of them are good and at low prices.
Brief reports would be awesome.
Please do share your music, it will help people decide on tubes for different types of music, orchestral, chamber, jazz, rock etc. Some tubes are good in general, never excelling in any one area, where some tubes will boast big brash sound good for rock, maybe not so for string quartet.Will do my best to contain the crap. My goal is not to keep rolling forever, at least not extensively. I want to find a combination of tube(s) and can(s) - if possible, on Vali 2 - that would deliver a sonic signature that I really like. At the same time, I am deeply captured by the music I like, if performed well and recorded and mastered decently. Tonight, I listened through Rossini's Barbiere with LSO under Abbado, with Berganza and Alva, as Master quality recording from Tidal, on HE400i run by WE396A. I was hit by such incredible sound quality: soundstage width and depth, resolution, timbral balance, speed, and overall natural signature, of this sublime performance, so well recorded, that I almost conked out, my tears running freely already at "Ecco, ridente in cielo". You guys talk about tubes here, not music, so I won't share my musical dimension of experiences. I was almost ready to cut the crap and stay with WE396A/HE400i combination, enjoying endless stock of decent recordings of the music I like. However, I will continue, knowing that this is hardly endgame already
Ei tubes are great tubes. If you can find a 6DJ8 one, you will be in for a treat as well. I have the Elite version with gold pins now in my Vali2. The 12AU7 with the nickel plates are to dye for in my opinion.
Will do my best to contain the crap. My goal is not to keep rolling forever, at least not extensively. I want to find a combination of tube(s) and can(s) - if possible, on Vali 2 - that would deliver a sonic signature that I really like. At the same time, I am deeply captured by the music I like, if performed well and recorded and mastered decently. Tonight, I listened through Rossini's Barbiere with LSO under Abbado, with Berganza and Alva, as Master quality recording from Tidal, on HE400i run by WE396A. I was hit by such incredible sound quality: soundstage width and depth, resolution, timbral balance, speed, and overall natural signature, of this sublime performance, so well recorded, that I almost conked out, my tears running freely already at "Ecco, ridente in cielo". You guys talk about tubes here, not music, so I won't share my musical dimension of experiences. I was almost ready to cut the crap and stay with WE396A/HE400i combination, enjoying endless stock of decent recordings of the music I like. However, I will continue, knowing that this is hardly endgame already