Just some thoughts on the “Apple dongle is all you need” axiom:
I largely agree. I’m not ashamed to admit that when I bought the Earmen Eagle and threw my best IEMs (the A4000) at it, I was honestly hard pressed to identify any substantial differences between the Apple dongle and the Eagle listening to 16/44.1 ALACs on my iPhone. Switched back and forth a few times, still not confident that I would be able to tell them apart blindfolded. Wasted money.
But if the dongle does something different with the amplification section, it may be worth considering over the Apple dongle. The Questyle M12 to my ears actually does sound different from the Apple dongle when driving the same transducers - it has a brighter, sharper, more dynamic tonality. Sure, I’m willing to accept that I may be fooling myself, and I will emphasise that the differences are still subtle, but I’m of the view that amps can sound different even if DACs - as long as they meet a certain minimum spec - don’t.
Absolutely, amplification is rather harder to make "perfect" vs. coloured

Coloured is an entire spectrum, while non-coloured/white is just a point or a narrow band.
DAC purists in the "science forum" here state that all DACs should sound the same, but if we look at all the different filter options engineered in the top end AK and ESS DAC chips - some of these options do sound audibly different, and my pragmatic thinking would be that "being the same" does not bring the sales to those companies...
What those "purists" are quite right about, in my opinion, is that it is the best to colour your chain close to the end, rather than at the DAC.
For the subjective choices - whatever "colouring" works for your personal preferences - that should be the "best".
Then from my "learn hard" experience - knowing about your colouring really helps.
My first DAP, Pioneer XDP-30, was ESS-based, so I thought about it as "analytical". However, it happened to be quite soft/warm, so my IEM quest really tried to heavily compensate it, e.g. with all bright all-BAs, further enhanced by my listening preferences (most of the classical recordings are very gentle in treble).
From this experience and pre-conditioning, Sonata HD pro first came as so "analytical", then I slowly came back "to senses".
My last "shocker," was the difference in sound of the different software, e.g. Hiby (especially), Shanling and Fiio that felt more prominent than the difference between the E1DA and the Apple Dongle.
So I just plugged my 1More Triple (one of my favourite IEMs, really nice soft tuning, whichever other's opinions are...) into the Apple dongle to enjoy my music
