I apologize in advance for this post, but I'm an Old Geezer and think I'm entitled to some degree of reminiscing))
I first developed my life-long passion for high end audio back in the early 70s. I bought my first "high-end" system at a British Navy PX in Hong Kong (I was a US Marine) while on leave from VietNam. At the time, Stereo Review was the leading audio publication and Dr. Julian Hirsch was its technical editor. He staunchly maintained that all amps or preamps that operated within certain electrical parameters and below recognized levels of distortion all sounded the same - a position I think many still adhere to.
Then along came Harry Pearson's The Absolute Sound and a little later Stereophile Magazine, which were both very subjectivist oriented. I remember reading an account of a dinner meeting of some society (AES???) in which Hirsch and some reviewers from TAS and Stereophile were all present. According to the subjectivists, Hirsch's attitude toward them was very condescending. I don't know what Hirsch thought but I'm sure he thought they were all dunces. Seems to me both camps have been at war with each other ever since.
Stereo Review is long gone and TAS and Stereophile have survived to this day. Apparently, a lot of people put stock in the subjective reviews that appear in those publications - as they do with many of the subjective reviews that appear here on HeadFi. However, I do not remember ever reading a coherent and convincing argument supporting the scientific validity of sighted tests, comparisons or evaluations. But, of course, each person is entitled to chose what he or she deems helpful.
Anyway, as I said before, what matters to me is what brings me listening enjoyment, and my choices of both sources and equipment are based entirely on that criteria.
I first developed my life-long passion for high end audio back in the early 70s. I bought my first "high-end" system at a British Navy PX in Hong Kong (I was a US Marine) while on leave from VietNam. At the time, Stereo Review was the leading audio publication and Dr. Julian Hirsch was its technical editor. He staunchly maintained that all amps or preamps that operated within certain electrical parameters and below recognized levels of distortion all sounded the same - a position I think many still adhere to.
Then along came Harry Pearson's The Absolute Sound and a little later Stereophile Magazine, which were both very subjectivist oriented. I remember reading an account of a dinner meeting of some society (AES???) in which Hirsch and some reviewers from TAS and Stereophile were all present. According to the subjectivists, Hirsch's attitude toward them was very condescending. I don't know what Hirsch thought but I'm sure he thought they were all dunces. Seems to me both camps have been at war with each other ever since.
Stereo Review is long gone and TAS and Stereophile have survived to this day. Apparently, a lot of people put stock in the subjective reviews that appear in those publications - as they do with many of the subjective reviews that appear here on HeadFi. However, I do not remember ever reading a coherent and convincing argument supporting the scientific validity of sighted tests, comparisons or evaluations. But, of course, each person is entitled to chose what he or she deems helpful.
Anyway, as I said before, what matters to me is what brings me listening enjoyment, and my choices of both sources and equipment are based entirely on that criteria.