The Watercooler -- Impressions, philosophical discussion and general banter. Index on first page. All welcome.
Mar 17, 2024 at 2:28 PM Post #83,971 of 87,776
At around 4 years old I know the @Craft Ears Aurum won’t be high on people’s list to try in Amsterdam next week given all the latest and greatest we have available for folks to test, but I would urge people to add to a shortlist - an incredibly impressive IEM that has really taken me by surprise in the last couple of weeks… taking photos today in prep for my review.

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Mar 17, 2024 at 2:45 PM Post #83,972 of 87,776
At around 4 years old I know the @Craft Ears Aurum won’t be high on people’s list to try in Amsterdam next week given all the latest and greatest we have available for folks to test, but I would urge people to add to a shortlist - an incredibly impressive IEM that has really taken me by surprise in the last couple of weeks… taking photos today in prep for my review.
Been curious about the brand for a while, I wouldn't miss it!
 
Mar 17, 2024 at 2:48 PM Post #83,973 of 87,776
At around 4 years old I know the @Craft Ears Aurum won’t be high on people’s list to try in Amsterdam next week given all the latest and greatest we have available for folks to test, but I would urge people to add to a shortlist - an incredibly impressive IEM that has really taken me by surprise in the last couple of weeks… taking photos today in prep for my review.

Have been listening to Aurum successor Omnium 2 weeks ago and was impressed as well.
One of Bobbys favorites afaik
 
Mar 17, 2024 at 3:04 PM Post #83,975 of 87,776
Yes we might have an Omnium demo unit for next week too, Craft Ears to confirm if they can send a demo 🤞
🍻

I'm double-checking @Vision Ears and @FullCircle by PM and email as they're among Watercoolers' favourites. Impossible to pull this off without VE10, Ronin, and Onyx. Unless they can't produce them, which seems to have become the norm in this hobby :wink:

drftr
 
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Mar 17, 2024 at 3:14 PM Post #83,976 of 87,776
Have been listening to Aurum successor Omnium 2 weeks ago and was impressed as well.
One of Bobbys favorites afaik

Yeah I’m a really big fan of the Omnium :) it’s not a set that’ll sweep anyone off of their feet but it’s just really well rounded and enjoyable to listen to for my tastes and library. I primarily use it as an EDC/gym set but I prefer it over a large amount of current flagships as well.
 
Mar 17, 2024 at 3:22 PM Post #83,978 of 87,776
The SR35 is really great soundwise for being so small. I haven't heard the IE900 in a while but I doubt it wouldn't synergize. But the UI speed with Amazon Music is absolute total bullcrap. AK claims they whitelist apps to make sure user experience is optimal but it's just hit and miss. Oh, and if you want to scroll your library prepare for a slideshow and some looong scrolling for the final letters. Dunno why Amazon didn't implement a letter slider on the right. Admittedly, my Xperia lags often with Amazon Music but the SR35 is really really crappy in that regard. It's fine with local files though.
Thanks for the details. I use Qobuz through Roon mostly so the Roon Ready part is a big draw to me. I’ll give it a shot. Thanks again.

In the case that anyone has an SR35 they want to part with I have an ad here to buy one:

https://www.head-fi.org/classifieds/astell-kern-sr35.64507/
 
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Mar 17, 2024 at 3:29 PM Post #83,979 of 87,776
CanJam NYC IEM Impressions (Part 2):

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As promised, here is part 2 of my IEM impressions from the CanJam weekend. I demoed all IEMs using iBasso 320MAX Ti and Azla Sedna Short tips.

The showfloor is quite loud so its difficult to ascertain the finer nuances of an IEM. I tried my best to understand the general presentation and problem areas of each set.


FiR Audio Radon 6 (RN6) ($3200 USD)

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Over at the Bloom Audio booth, RN6 is the very first IEM I listened to at CJ NYC.

I found it fairly resolving with nice sub-bass quantity, decent vocal timbre, and good dynamics. It had a well-defined transient attack and a fairly wide soundstage. I thought it was a well-balanced all-rounder.

RN6 was my introduction to FiR Audio and an impressive one at that. Great IEM to start the weekend off with.


Oriolus Trailli Ti ($8500 USD)

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I heard Trailli Ti as a thinner, more technical Trailli OG. The bass was much improved vs. the OG, sounding tighter, more textured, and more dynamic.

Although the techs on the Ti were improved, like the Trailli OG, it still falls behind today's TOTL sets. Some of the midrange magic is missing on the Ti as well.

For my preferences, I prefer the tone, midrange, and overall balance of the OG. The Trailli Ti is also vastly overpriced.


PMG Audio Apx ($6650 USD)

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Good resolution and a defined transient attack. Bright but not overly sharp, with decent sub-bass/mid-bass quantity.

The bass lacked a little weight and wasn't pillowy but a touch soft. Female vocals sounded a little strained/cold on some tracks and the lower mids were a little lean.

Overall decent set. Rumor is that a re-tuned Apx is in the works with a less elevated treble.


Canpur CP622B ($3500 USD)

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622B + stock cable

This was my second demo of the 622B, having first demoed it at MusicTeck a few months ago.

I wasn't the biggest fan the first time around preferring its younger sibling, the CP54E at the time for its more exciting V-shaped sound.

I was more impressed this time around. 622B has a lovely midrange that I found very natural and resolving. Normally, I run through my demo tracks methodically, but this was one of the few sets that I wanted to listen to a little longer.

622B has a really nice and elevated sub-bass. The mid-bass is decent but not super textured (Storm's bass is much more textured).

622B has good transient attack and okay dynamics. The treble had a nice tone but was a little too polite and I thought it could have been a little more resolving.

Overall great set. One thing I'd change is the the stock cable which I thought felt a little cheap.

622B + Nightjar Mira 2W cable

Cable differences are a little difficult to pick up under show floor conditions, but I tried a cable swap to the Nightjar Mira 2W cable at the recommendation of a friend who runs this exact combination.

I heard the bass as mostly the same, vocals to sound more bodied, and the treble to have slightly more liveliness. It was an overall good pairing that added a little excitement to the overall sound.


Vision Ears VE10 (VE X) ($3000 USD)

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Warm, thick timbre with an elevated bass. Good mid-bass weight and nice vocals. I thought the VE X lacked some resolution compared to top contenders in the 3k USD bracket, but it wasn't enough to bother me.

Treble also had a nice tone/weight but it lacked some resolution and sustain. Good transient attack. I thought the layering and separation was a little lackluster.

Despite lacking some techs at its pricepoint, I thought VE X was a comfortable, easy listen with exceptional timbre.


NYC CJ IEM impressions part 3 to come later this week including some of the following sets:

- Subtonic Storm + SS 8W + MK 465
- Nightjar Duality
- Elysian Pilgrim
- Letshuoer Cadenza 12
- Dunu x Precogvision Mirai
- Ice Labs Prismatica + Prismatica Gold
- Fatfreq Grand Maestro
- QDC 8PRO

And some prototypes:

- Symphonium Titan Prototype
- Letshuoer Prototype
- Eletech Prototype
- MusicTeck's Prototype IEM
- Soranik xMEMS Protoype
 
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Mar 17, 2024 at 3:31 PM Post #83,980 of 87,776
Am I the only one who thought the pilgrim sounded a little rough around the edges? Kinda crackly in the treble? I much preferred the Dita Project M. I guess we will see.
I kinda like it- not sure what the negative connotation around the word pilgrim is.

It involves being on a long and potentially arduous journey on your way to an end goal- it doesn’t have to be religious in nature at all.
 
Mar 17, 2024 at 3:42 PM Post #83,982 of 87,776
?

Anyone else heard this IEM? What price/quality level are we talking here?

drftr
Leo from MusicTeck has been working with a manufacturer tuning this prototype for a few months.

It was at the MusicTeck booth although I’m not sure it was readily offered for demo.

It’s rumored to be in the 1.5k to 2k USD range and I think it’s quite competitive in that price bracket as a total tuning/techs package.
 
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Mar 17, 2024 at 4:11 PM Post #83,983 of 87,776
Hey Cooler Friends, I am just dropping by to drop some impressions as I have had some cool gear come across my desk and felt its only right to share these with all of you for more data points. Enjoy and hope all of you are well and have a great weekend.

FitEar Creator
W/ silver creator 4wire

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The first immediate sound that struck me when I put the Creator in my ears was the Full Grand Bass. It captivates with a romantic decay which I define as a slower more rounded definition to the bass notes as they fade away. The attack is big, bold and fat but similar to the decay it is more rounded with slower transients. This gives the music a more laid back feeling with the utmost realistic timbre radiating with depth and height. The sub bass is deep and nicely textured but the mid bass is more pronounced and very textured and provides a massive warmth across the frequency response. The movement of air is evident even at first listen, it allows space for the music to breathe.

Stage width is well above average but the depth and height is what I hear to be the focus. Giving a sense of layered space and beautiful reverbs. It’s almost 3D feeling but not quite as holographic as other sets with BCD drivers. But it’s also not a flat sounding in ear. Imaging is well done and where the Creator excels is in Macro Dynamics. From the light stroke of brushes on snare skins, to the snappy hit of a hand on a Bongo skin and the stick hits of toms is all very vivid and life-like with great contrasting tones and volume levels a.k.a dynamic swings. Creator is not a focused resolution sound nor does it want or try to be. This is a tuning to get lost in the feeling of the music. If ultra detailed fast micro dynamic sound is what you’re after or makes you feel your music this set will be very disappointing.

Piano sounds perfectly weighted on Creator. This is the best in ear I have heard with Piano playback. Note weight across the board is fantastic. Acoustic guitars sound like real strings against wooden bodies. Plasticky or toy-like sound does not exist here. Instruments sound large and life-like. This goes for male and female vocals alike. They resound with gravitas. They are centered and push outward in front of the head. The vocals and mid range are more intimate and this works well with Jazz, singer songwriter, small ensemble and rock. Music at higher speeds will suffer here as it will get cramped or smeared over by the bodacious Foster drivers.

The treble is nicely extended thanks to a single EST, that pushes through the swells of bass and warmth with great clarity and transparency. The EST was a good choice in my opinion as it keeps the weight and wetness that are usually associated with BA’s in the top end from blunting the signature. The EST’s lighter more ethereal notes balance out the boldness from the bottom end in a very convincing way that keeps the Creator from becoming too Dark and encapsulated feeling. I hear zero sibilance and I have not come across any annoying peaks or metallic sounds in the upper end.

I am often reminded of my meditations while listening with Creator. When I meditate, I am focused on my breathing; inhaling and exhaling and because my mind is calm I can hear sounds in-between breathes that I normally would take for granted. This is how I hear the creator. In between the attack and decays I can hear the emotional vibrato of the string, the skin of the drum, the emotion from the chest of a singer. I feel I am more at one with the music I am listening to.

The creator demands your attention with analog grandeur.

Rhapsodio Supreme V3


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They sound wonky(hate this word, don’t mean it negatively) to me. Fun tuning that highlights some nuance and harmonics/reverbs I’ve not heard with other sets. Which I think is from the solid brass shell and faceplate. It doesn’t work with a lot of genres but still presents itself as its own thing unapologetically. Imaging and staging are spread very wide creating an immersive sound that is super fun at first but becomes fatiguing quickly. Timbre nor tonality is very good to my ear. Sounds great with electronic music and well produced singer songwriter music oddly enough but timbre is not natural and does not have an emotional pull, it’s mainly the imaging and staging that keeps the attention. Depth of stage is lacking in my opinion. There are some harsh peaks up top that make me wince. Layering is sub par and crowded music can sound thin and messy, but it’s a spacious sound and when it hits with the right song or music it is definitely a WOW moment. However due to the off putting timbre this is a pass for me.

TGXear Desolation Sound Steel Black Sand Earbud

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I have had this bud by @tgx78 for a few weeks now and I think it’s time for some impressions as it has totally blown me away.

This is an upgraded version of the Desolation Sound that Jim graciously offered to me and that I paid for. In my opinion this upgrade to Steel shell with black sand dampening really sets the DS apart from its original counterpart and also widens the gap in sound signature from Jim’s other buds in his lineup. I am using the focused full foams that Jim includes with purchase, these are the thinnest foams and my favorite by far for this tuning.

All listening done on Cayin N30LE Hyper mode with Tube classic mode engaged using UAPP to stream Qobuz bit-perfect. As well as, Venture Electronics Prime Dac + Runabout 2BFE amp via MacBook Air running Qobuz via Roon.

For me and my library which consists mainly of well recorded Jazz music and singer-songwriter, folk, world and Classical/OST’s this earbud really hits the spot. Jim has outdone himself and honestly the DS SBS has just about made all my other buds obsolete. I am still using and loving my 600ohm buds i.e. TGX Alpha, Yinman 600, Puresounds 100-600(s) and also my favorite V-shape bud to date Ksearphone 300 Samsara and my VE APWS for specialists.

Let’s get back to the DS SBS. This bud has impeccable imaging and staging. Instruments are well separated and sound authentic. Out of all Jim’s buds, this one has the least amount of mid bass heft, which clears up the midrange allowing the beautiful timbre of tones to come through with ease. I would call this earbud a really well done W shape.

The bass is working as a support and never the focus. Bass lines are well delineated and layered with precise definition and attack. Decay is natural, neither slow nor super fast. It is a perfect amount of warmth to keep in line for a reference tuning. The detail though is really quite captivating. Fingers slapping on the fretboard of an upright bass and hearing each reverberation of the strings and the body of the instrument is an astounding aural experience.

Mids are spacious and detailed with every nuance in the recording coming forth but still with an emotional weight and pulling of the heart strings, Jim’s calling card IMO. Vocals have great center imaging and escape the head. Male and Female vocals alike sound effortless and while they are not the heaviest note weight they are still grounded to the stage and not so transparent to sound like ghosts flying around your head. Guitar strums and drums have great attack and sound like the real deal. Violins, Cello, Viola are breathtaking in realism and emotion. For a reference tuning the “feeling” of the music is not lost. Dynamics are not lacking (this really shines through in classical selections) and this has a great 3-D feel to the staging with an incredible black background thanks to the black sand dampening.

The Treble here is probably the best I have ever heard in any earbud hands down. It is extended, clear and sparkling without peaks or harshness. Cymbal hits, piano strikes, harp plucks, all sound angelic as if they are coming down from heaven with perfect attack, sustain and decay. It’s marvelous to experience and very difficult to put into words.

I won’t say that the DS SBS is a high energy, in your face set, as it is not that. It is a delicate sound that will surprise and delight the longer you listen, a set that is very easy to listen to for hours on end and get lost in pure musical bliss. This is not a set for heavy, fast or RnB, hip hop music IMO. It can keep up with fast music don’t get me wrong as the resolution here is fantastic and totl. However for the above types of music, it does not have enough mid bass. A good V shape bud will work better in my opinion. However I do listen to a lot of indie rock with this earbud and it excels.

All in all this is my favorite earbud thus far in my time in the hobby. So much so that I am slowing down and thinning out my collection. I am quite content and I owe it all to the artistry and mastery of Mr. Jim Park, aka TGXear!! Thank you so much for your hard work, craftsmanship, and tuning genius.

Thank you for reading and I hope you enjoy. :)
 
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Mar 17, 2024 at 4:16 PM Post #83,984 of 87,776
Merck Records have a selection of their excellent compilations of ambient and IDM on Bandcamp from the early 00s as 'name your price' - highly recommend for those of you who enjoy these genres. This was a somewhat short-lived but now legendary label that featured many excellent artists back then.

https://merckrecords.bandcamp.com/

 
Mar 17, 2024 at 4:35 PM Post #83,985 of 87,776
I’m driving my car to Amsterdam , because I’m nuts :) Somewhere in the Picos de Europa / Astrurias at the moment …. Should be there by Friday … unless a Bear attacks me … nah no problem , I will hit it with my giant DAP :). 👍💪💪🤟 Looking forward , will be fun :)
 

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