This reminds me of a trip I made to visit Craig Uthus a long time ago to personally pick up my Balancing Act headphone amp from him.
Oh man, I haven't talked to Craig in years! Wow... probably eight years ago, if not more. Beyond his EC work, he was also a brilliant conversationalist, and he's always been super sweet and kind to me.
And what greeted my ears was nothing short of miraculous.
The track had been utterly transformed. The combination of resolution from the planars and timbral and tonal realism from the PX-4 tubes, along with their expansive, immersive tapestry of sound, absolutely floored me. And, I kid you not, for the first time I realized that the bass playing below Barber and her band was actually a stand-up double-bass and not an electric bass. And more - it was being played with a bow. I know it's the old cliche, but the instrument was presented in such a way that I could literally picture its large wooden chest, the thick, ribbed strings vibrating over the fret board, the scratchy pull of the bow strings over them... That was detail and resolution. And, yes, absolutely, it made me feel like the instrument was right in front of me. It made it come alive.
So to me, that is what good detail and resolution can do: enhance realism. And maybe that's where some of the detail-kings break down. They present something that isn't true to life. That isn't real.
Yes, I agree exactly! Truly improved detail and resolution in playback doesn't exaggerate, it reveals.