Pretty much everything
Don't know what your asking. On a Stax amp the SQ leaps significantly. It seems to show that there's more SQ in the amp (and DAC) chain to be pulled out, proving yet again the transducer has the greatest effect on the SQ. Also could mean that it's easier to drive, so Stax amps sound significantly better. I haven't tested with all my Stax amps yet however.
Thanks for going to the trouble of discussing this with me.
Looks like there's a communication barrier for the moment, so I'll try elaborating.
I mean, you've heard all these top-of-the-line aftermarket/DIY amps with the SR-009 and other headphones. So far, your published impressions of the SR-L700 have been from STAX amps, not aftermarket/DIY amps. But now I'm even more confused. When you talk about the sound quality improving on STAX amps, what are you referring to specifically? Are you just saying that, when using the same STAX amp, switching from the SR-009 to the SR-L700 results in an increase in sound quality? Because that's not what I'm most interested in. I meant, when you compare the sound of the SR-L700 driven by the STAX amp(s) to the sound of the SR-009 driven by the best amps out there, does the SR-L700 still sound more accurate (again, only from a STAX amp) than the SR-009 (again, using the best amps you've heard, and from memory, since you haven't been able to do a direct comparison) to you? I'm very impressed how people who have lots of experience listening to the SR-009 on really high-end systems are liking the SR-L700 so much, and even more surprised how many like it more than the SR-009. But so many spectacular things have been said about the SR-009 + [insert TOTL amp here] that I feel the need to inquire further, in case I'm missing something. (I do know direct comparisons are ideal, though.)
I think it spanks it, but I'm not a huge fan of the 007mk1/mk2.
Well, I was looking for a more in-depth description of the differences in sound between the SR-L700 and SR-007; not merely the fact that you prefer one over the other. But thanks anyway. Although sound is most important to me and I don't dislike the looks of the SR-L700 per se, the SR-007MK2 is by far my favorite headphone in terms of aesthetics. It speaks to my soul in a way that no Lambda can. hehe
Hard to find ... on the headband loop, center part, just above the rectangular part just above the harness. Faint white letters - thanks.
Yeah, it's on the same place on the headband as the other click-stop headbands.
I have recently joined a very exclusive club - the DIY T2 club that is.
It is a magnificent pairing with the SR-009, especially for vocals and more intimate types of recordings.
I must say, it is not the last word on clarity and precision. The HD800s (modded) and the EC 445 are superior in that regard. But for almost any other criteria, the DIY T2 / SR-009 reigns supreme.
For those who own a T2: what is your favourite headphone with the T2?
Jealous!!
Care to post some
amp porn tasteful photos of your DIY T2?
I understand that you want to keep certain details secret, such as the builder, but would you be willing to reveal how much it cost and how long it took to build?
This is one of the most desirable electrostatic amps, and according to some people, it's even harder, longer, and more expensive to get one nowadays. I tracked down a list of DIY T2 owners and was planning on networking with them once I'm ready for one. One guy told me only a few people in the world would be able to build it now. I do know another guy who is building one for himself. It's taking him years, but he's lazy. haha
Raz great to know that my 1,000 post is in reply to you. Resolution is a fuzzy word. I think the SR009 does micro details noticeably better, such as the inner texture and surrounding air or reverberations of voices and instruments. Voices have better inner definition and far more natural inflections. This is due to its superior transient response. Distance or front to back layering between sonic cues is also rendered more accurately.
The HD800 with the EC445 is better at macro details, given a blacker background and more precise imaging or definition of spatial cues: This is most evident with mass strings or complex rock arrangements. The SR009 will tend to harmonise and lump together mass strings. The HD800 will emphasise the contours of instruments, even when performing in unison, much more precisely.
Because of their different strengths, I feel that the SR009 is better suited towards pop and vocals, jazz music, solos, quartets and live music in more intimate settings; the HD800 is better suited for orchestral works, choir music and aggressive types of music like dance music or metal.
Can you go into more detail about what you dislike about metal with the SR-009? (Although I listen to nearly everything, I listen to a lot of metal. I adored the SR-207 and SR-30 with all genres, including metal, and had serious problems with the HD 800...though, as covered earlier, this was likely due to using a stock HD 800 on solid-state amps and DACs. I bet the new HD 800S will be more pleasing in stock form, since they mentioned that the peakiness in the frequency response has been improved upon. But since I've lost interest in non-electrostats for the most part, I'm not sure whether I would ever bother building dynamic and planar magnetic summit-fi systems just for the sake of certain aspects of sound.)