Thanks!
I will try that when I find better (bigger) box for amp. (I think that I have a few metal boxes somewhere in the house...) Bigger transformer is my next goal. 80 - 100VA is way to go. This enclosure is too small, tight, and heats too much. That is not good for polystyrene-s and MKP-s.
I tuned DC offset with Radj on LM regulators. I always use Radj because it is hard to find good regulators which have the same heating "offset". Also it is hard to find PNP and NPN that have the same hFE. On this setup (550/560C) I achieved 2-3 mV offset when I tuned LM317 on + 14.8V, and LME337 on - 14.1V.
I have another LC amplifier with different transistors 139/109C. And there, offset is smaller (1-2 mV) when voltage is - 14.3V and + 14.25V. I have feeling that those old metal transistors have better temperature characteristic than this new, made of plastic... Well, who knows...
It is true. Less capacitors in a circuit is better. I will try two big MKP-s when I get them. I put polystyrene caps because I tried to make sound more colored in a way that I like. Without polystyrene sound was, slightly, too bassy and mids too dark. Polystyrene caps brightened up sound stage. I like trying different components (capacitors, opamps, transistors). It is interesting how they change final picture of the sound. But it takes time because every component needs burn in time (that is usually 10 hours of playing).
I connected cable coatings directly to ground. On Grado and ATH headphones, at max volume, I barely hear transformer hum. But that would blow my ears anyway. Grounding is very interesting and important in audio circuits. I was reading something about different resistor values in the ground loop and how they can direct parasitic current to bypass crucial circuits and components... I am interested in grounding technique, but do not have time to study it. Too much to do, and too little time.