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Originally Posted by Pricklely Peete /img/forum/go_quote.gif
Hi Curra...drosera was talking about the forthcoming balanced head amp using the CAST inputs (from the Ref 1 ) as being a possible Beta 22 Killer. Personally I think that's aiming a little low....go up the ladder another order of magnitude is my guess.
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Still not quite sure what exactly will be balanced on this amp, input or output or both. Oh well, let's wait and see, the thing only exists in Kingwa's head at the moment.
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Originally Posted by Pricklely Peete /img/forum/go_quote.gif
Anyone know which version of Holst-The Planets is considered the best one (or one of)...I'm looking at at least 9 different versions right now....damn it the classical mine field o tittles needs a hand book to sort the crap from the good stuff (recording and performance wise) Right next to Synergy for Dummies.... on the bookstore shelf.
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Fortunately, it's very hard to do The Planets very wrong, so there are plenty of good performances to choose from.
My personal favourites performance-wise are
-Philadelphia Orchestra/Eugene Ormandy (RCA, 1975)
-Berliner Philharmoniker/Herbert von Karajan (Deutsche Grammophon, 1981)
Unfortunately neither of them really cuts it in the recording department. The Ormandy is horribly bright (apparently American engineers thought that was what the public wanted at that time, because it's a very common thing for American recordings from that period). The Karajan suffers from being 1981 digital, although it's certainly not as bad as some other recordings I've heard from this period. Hard to beat these two performance-wise, IMO. (Alternatively, if an older recording is not a problem you could get Karajan's earlier 1961 Vienna Philharmonic version on Decca. The recording should be pretty good.)
A good compromise of performance and recordings might be Gardiners recent version:
-Philharmonia Orchestra/John Eliot Gardiner (Deutsche Grammophon)
The performance should be good, the recording might be a little multimiked, but high in detail. (Haven't heard this one myself. Is still on the to-buy list.)
If recording really comes first, you might try this
one. Especially if you have a SACD player.
Actually there are plenty of guides to classical recordings, such as the Penguin Guide to Compact Discs and the Gramophone Good CD Guide. Although the reviewers are usually better at judging performances, than they are at judging recording quality. Alternatively, you could check sites like
Classics Today or the review archive at the
Gramophone website.