Elysian
1000+ Head-Fier
- Joined
- Aug 14, 2011
- Posts
- 1,234
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- 74
Quote:
I've noticed the rather dogmatic language people use when comparing the MK1 vs MK2, but even the most strident critics of the MK2 would regularly preface their comments that the difference between the MK1 and MK2 are fairly small, especially if you're not actively looking for the difference or if you're not as critical a listener. I think a lot of people lose sight that, at the $1k+ range, most of the popular headphones do at least a few things very, very well, and that there isn't a perfect headphone.
In spite of the downsides of people strongly latching onto others' opinions, the high-end headphone review arena would be a lot more boring if they read like standard professional audiophile reviews of high-end DACs and amps. I ran across a high-end DAC mad libs template which reads like every review out of The Absolute Sound and 6moons.
I'm glad to be hearing more positive reviews about the bass on the SR009s. I was worried that the SR007 would be better at bass while the SR009 would have better detail/clarity. There's been criticism about the SR009 with metal at high volume, but I don't listen to music terribly loud, so maybe it won't be too much of a big deal. It's a bit strange how my SR007A does sound a bit muddy with certain recordings, but others sound exceptionally clear, so maybe the SR007 series doesn't do that well with recordings mastered a particular way. It's a bit puzzling to me how some rock recordings can sound phenomenal (Muse, Porcupine Tree), while others, muddy and grainy (Killswitch Engage, Marilyn Manson, RHCP). It's bad enough that I just don't like listening to some of my favorite artists on the SR007A, and I hope the SR009 fixes that.
The idea that the O2 MKI was ideal and that Stax screwed up later versions has been so strongly railroaded into common belief that it doesn't surprise me that people resist criticism.
I've noticed the rather dogmatic language people use when comparing the MK1 vs MK2, but even the most strident critics of the MK2 would regularly preface their comments that the difference between the MK1 and MK2 are fairly small, especially if you're not actively looking for the difference or if you're not as critical a listener. I think a lot of people lose sight that, at the $1k+ range, most of the popular headphones do at least a few things very, very well, and that there isn't a perfect headphone.
In spite of the downsides of people strongly latching onto others' opinions, the high-end headphone review arena would be a lot more boring if they read like standard professional audiophile reviews of high-end DACs and amps. I ran across a high-end DAC mad libs template which reads like every review out of The Absolute Sound and 6moons.
I'm glad to be hearing more positive reviews about the bass on the SR009s. I was worried that the SR007 would be better at bass while the SR009 would have better detail/clarity. There's been criticism about the SR009 with metal at high volume, but I don't listen to music terribly loud, so maybe it won't be too much of a big deal. It's a bit strange how my SR007A does sound a bit muddy with certain recordings, but others sound exceptionally clear, so maybe the SR007 series doesn't do that well with recordings mastered a particular way. It's a bit puzzling to me how some rock recordings can sound phenomenal (Muse, Porcupine Tree), while others, muddy and grainy (Killswitch Engage, Marilyn Manson, RHCP). It's bad enough that I just don't like listening to some of my favorite artists on the SR007A, and I hope the SR009 fixes that.