Mine are out for delivery today. After reading through much of this thread, I am anxious to hear them in person. I bought them mostly to pair with my PHA 3 but I will also use them with my main stationary rig and with a second desktop setup. I also own (and love) Audeze LCD-X, LCD-2 and Sennheiser 600 headphones as well so I'll be able to made comparisons to those. I'm fine with headphones that have different sound signatures but some posters have expressed a variety of negative comments so we will see how it goes!
I'm still confused after all those mixed reviews you can read on the internet. Some rave about the Z7 and praise them as true audiophile headphones whereas others write them off as mediocre. Would like to hear what you think.
Since you asked, here are my very early initial impressions. I've got lots of listening and comparing to do, but I do see a distinct trend or two.
As others have said, these are well made and amazingly comfortable. The quality is as good or better than many other headphones that I've owned or had experience with. A definite 10 here and I don't think I'll change my opinion on this.
I've only used them with my PHA 3 so far for about five hours or so. They pair well (obviously I'm using the balanced cable) and the PHA 3 drives them very comfortably at the normal gain level. My Audeze LCD-X needed the gian boost to listen at similar levels. Now I love my Audeze but the Sony's are lighter and much more comfortable. Really, I almost forget I'm wearing them.
So, how do the sound? Well, that's a bit of a conundrum. Contrary to what others have said, my pair doesn't sound muddied and I don't sense any lack of clarity (mids, highs and lows are distinct). Unfortunately, they aren't as "consistent" as I'd like depending on what I'm listening to. For example Boz Skaggs "Dig" red book cd is just too bass heavy with the Sony's. On the other hand, the Eagles Studio Albums 1972-79 are literally perfect for my taste. Ditto for most female vocalists in my collection. Listening to Robin Thicke "Blurred Lines" is a good example of the bass issue. The separation, sounds, blending, etc are fantastic but unfortunately it feels like the bass is pounding a tattoo on my eardrums. The soundstage here feels like I'm in the middle of the action and I can almost feel Miley Cyrus twerking against my leg. I'd rather be in the fifth row.
I've got lots of comparing to do but, for the most part, I like the effect. Not exactly a ringing endorsement but I've got a ways to go before reaching any definitive conclusions, so...stay tuned!!