davidmolliere
Headphoneus Supremus
Not used to Sony's fit style but the Z5 is fairly comfortable although I suspect that L sized tips are a bit short for my ears (I get a seal but need a quite deep insertion, need to order those LL tips).
I know that Sony Hybrid tips have been praised by many but I find they're a bit rigid and the "contact" is not as nice as the IE800's tips or the Westone Start Tips I used with the SE846 : any advice on alternate tips that work with the Z5 (aside from the Phonak's, I sold those with my PFE232...) ?
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Edit : As the sony hybrids LL tips are not easy to find in Europe, I checked out my good old's TF10 tips and... they fit! Strange as the bore is a bit bigger on the TF10. They're much more comfortable than the Sony Hybrids that really were the downpoint of comfort for me (there is something about that silicone that irritates my ears plus it's too rigid). I doesn't seem to affect the sound, although the opening on the TF10 tips are over twice wider, maybe a tad more bass but I need to A/B to make sure.
I still have to find replacements you never know, any pointer appreciated.
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Still getting to know the Z5, I find that they're wonderful for Jazz (enjoyed Gerry Mulligan's "Chelsea Bridge", Sonny Rollins "St Thomas", Joshua Redman "Stop this train" or Dave Brubeck "Take Five"), I love the way they render the woodwinds, brass, drums and cello... I can see myself listening to a lot more Jazz with these The sound is so "organic" and lively, it's hypnotic!
After giving more listening time on the PHA-3, I now grasp what it's bringing to the table to the Z5, especially with the balanced connection. Aside from better bass and treble extension, transparency is definitely a notch up from ZX1 alone, as well as imaging but I have only tried the PHA-3 balanced it's a bit unfair to the ZX1. All in all I don't feel the need to amp the Z5 on the go, ZX1 will do perfectly fine, but I'll appreciate the extra SQ when at home.
The Z5 is so goodone could skip the Z7 altogether (Strike that, the Kimber Kables are just bringing what I missed from the Z7 so far... wow), I am much more impressed by them, but then again the Z7 probably needs more burn in (needed the Kimbers )
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Edit :
I did quite a bit of listening, different genres, and it looks to me that the Z5 fits all kinds of music, at least what I am listening to from rock to hard rock, blues to jazz, classical, indie or electronic.
No matter which genre, the more I listen to them the more I appreciate the soundstage width but more importantly the depth and the overall imaging. The sound has so many layers. Those are definitely non fatiguing even with genres that are more agressive. Last night I listened to them at low listening level and they don't give up detail or dynamics as other IEMs have owned.
Bass is the first thing that strike upon the first hours of listen but the highs are smooth yet very detailed that tweeter BA has been finely tuned for sure. Last but not least the mids are really engaging and "meaty". Vocals are better than I gave them credit for upon first listen, maybe because the bass are so much deeper and textured than any other IEM I had that it distracted me from mids and highs. Brain burn in, no doubt
I love decay too, it brings so much to the music be it drums, snare, piano... yum!
I know that Sony Hybrid tips have been praised by many but I find they're a bit rigid and the "contact" is not as nice as the IE800's tips or the Westone Start Tips I used with the SE846 : any advice on alternate tips that work with the Z5 (aside from the Phonak's, I sold those with my PFE232...) ?
-------------------------------------
Edit : As the sony hybrids LL tips are not easy to find in Europe, I checked out my good old's TF10 tips and... they fit! Strange as the bore is a bit bigger on the TF10. They're much more comfortable than the Sony Hybrids that really were the downpoint of comfort for me (there is something about that silicone that irritates my ears plus it's too rigid). I doesn't seem to affect the sound, although the opening on the TF10 tips are over twice wider, maybe a tad more bass but I need to A/B to make sure.
I still have to find replacements you never know, any pointer appreciated.
-------------------------------------
Still getting to know the Z5, I find that they're wonderful for Jazz (enjoyed Gerry Mulligan's "Chelsea Bridge", Sonny Rollins "St Thomas", Joshua Redman "Stop this train" or Dave Brubeck "Take Five"), I love the way they render the woodwinds, brass, drums and cello... I can see myself listening to a lot more Jazz with these The sound is so "organic" and lively, it's hypnotic!
After giving more listening time on the PHA-3, I now grasp what it's bringing to the table to the Z5, especially with the balanced connection. Aside from better bass and treble extension, transparency is definitely a notch up from ZX1 alone, as well as imaging but I have only tried the PHA-3 balanced it's a bit unfair to the ZX1. All in all I don't feel the need to amp the Z5 on the go, ZX1 will do perfectly fine, but I'll appreciate the extra SQ when at home.
The Z5 is so good
------
Edit :
I did quite a bit of listening, different genres, and it looks to me that the Z5 fits all kinds of music, at least what I am listening to from rock to hard rock, blues to jazz, classical, indie or electronic.
No matter which genre, the more I listen to them the more I appreciate the soundstage width but more importantly the depth and the overall imaging. The sound has so many layers. Those are definitely non fatiguing even with genres that are more agressive. Last night I listened to them at low listening level and they don't give up detail or dynamics as other IEMs have owned.
Bass is the first thing that strike upon the first hours of listen but the highs are smooth yet very detailed that tweeter BA has been finely tuned for sure. Last but not least the mids are really engaging and "meaty". Vocals are better than I gave them credit for upon first listen, maybe because the bass are so much deeper and textured than any other IEM I had that it distracted me from mids and highs. Brain burn in, no doubt
I love decay too, it brings so much to the music be it drums, snare, piano... yum!