Very interesting.
Not to spend too much time OT, but while I was locating those Telarc CDs my Rachmaninoff shopping research took me to Presto Music, where someone had recommended the
Naxos 9-disc collection of actual acoustical and electronic recordings of his made on Edison and Victor between 1919-1942. So naturally I bought that too!
And now you hear "noise" of 100 year old analog recording technology , and the quality associated with 78rpm records. Legendary performances and recordings to be sure, but nothing like what Wayne Stahnke has produced from the rolls.
Nevertheless, brings you back to yesteryear. My brother-in-law is a nut for old "boogie woogie", "ragtime" and "blues" music (mostly piano-centric and singing), also available on vintage analog recordings from 1910-1940. I recently completed a project for him to "digitize" his collection of 51 33rpm vinyl records and 6 cassette tapes into (a) FLAC for his home system, and (b) MP3 for his car media system. The "production" was started on the turntable in my main Nakamichi-separates audio system (that includes a DBX 14/10 EQ to try and compensate still in the analog domain for the differences in each recording engineering), then creating analog-to-digital primary WAV files through Cooledit 2000 on my PC (which I still use, rather than Audacity, because of its much simpler and more intuitive interface and simple method of producing individual files for each of the "tracks").
Again, there is no way to avoid the "noise" that was present in those 100 year old original 78rpm recordings that are simply now available on 33rpm vinyl, which is what we call "character". But the cleanup that can be done with good audio equipment and computer software, really does make a huge difference in the result. Much like I am seeing this week in another digitalization project for my brother-in-law, this time converting his large lifetime collection of 35mm Kodachrome slides into digital form, scanning them using color-calibrated Silverfast 9 Ai software, as "Kodachrome transparencies" on my Epson 4990 Photo scanner at 2400dpi, batch-scanned 8 at a time.
The resulting raw TIF scans are surprisingly good, given the condition and size of the source slide. But when "auto contrast/brightness" is applied to that TIF scan using Photoshop... it's like a totally different result. Post-tweak colors now look vibrant and real and almost 3D instead of dark and muddy and flat, etc. Just that one magic tweak (with NO adjustment to color, just auto contrast/brightness letting Photoshop figure out what best needs to be done) is producing amazing results. Compared to the original scans, the "auto contrast/brightness" finals are wonderful.
Ok. Sorry for going OT again. Ah... the old world of analog.