Hey Max, I just recently got a pair of IE8s as well, and have been going through what you've seen.
My take on this is that being a dynamic driver IEM, the IE8 is very sensitive to the shape/length of the sound chamber that is formed by the IEM's position in your ear and your individual ear canals. What I found was that in playing with different tips, I get dramatically different sounds, but the thing to keep in mind is that the driver itself is still responding to frequency inputs in the same way regardless... i.e. the IEM is what it is, and the tips are acting like a sort of physical EQ.
My personal preference for music is a strong, clear base overlayed with sparkly feeling highs that lend detail to the music. I also have a strong preference for expansive soundstages as opposed to intimate settings.
Ultimately, I found I best achieved this by switching to Sony Hybrid tips which got me closest to the feel I was looking for, and then enhancing the treble slightly with external EQ. Having done this, yesterday I caught myself looking around several times while working because elements of the songs I was listening too were tricking me into thinking I was hearing sounds around me.
Having checked the IEMs themselves with the included silicone, foam, and sony hybrid tips I can clearly hear the IE8 producing frequencies as follows:
10 Hz - I can feel/hear it, but it's so low pitched and low in volume that it's not a major part of the music.
20 Hz - The lowest frequency that is audible to the point it would contribute to the music, but is somewhat rolled off volumewise from the typical volume at higher frequencies.
30 Hz - the low end of the dominant frequency range (i.e. the frequency below which the volume appears to fall off)
14000 Hz - the high end of the dominant frequency range
17000 Hz - the highest frequency that "participates" in the music in the sense that you can hear it still at normal volumes, but it's now rolled off compared to the dominant frequency range.
20000 Hz - the highest frequency where I can "hear/feel" anything at all by turning the volume up (this was as high as my test software went... not sure if I could "feel" anything beyond that or not otherwise.
What this test implied to me was that the IEMS were producing low frequencies at sufficient volume, but that some of the sparkle generated by very high frequencies and transient frequencies created by interference were being blanketed out... EQing the high end allows them to bring the wow factor back for me.
I've decided that ultimately, my approach to headphones needs to be to find the hardware that gets me the features I'm looking for that are hard to get with software tweaks (soundstage/frequency competence), followed by a tip selection/wearing style that gets me close to the frequency response I'm looking for, finally followed by fine tuning of the frequency balance by tuning with EQ. I used to think using an external EQ was "cheating" somehow, but in retrospect, everything I do from insertion depth, to tip selection, to sample compression is applying artificial EQ as well, so why not use your playback device to tweak the balance back where you like it?
So in a nutshell, don't sweat it too much if the IEMs sound a little dark to you to start... they're actually quite capable of delivering what I think you're looking for.
Now that I've got them tweaked how I like them, they sound like the bigger brother of my HD555s in that everything I hear through them sounds "epic" or "big". Bass slams (but doesn't dominate... there's just an energy to the sound), highs sparkle, soundstage constantly tricks me into looking over my shoulder.
Best of luck with yours!
EDIT: PS. to answer your original question about burn-in. It's nearly impossible for me to say at what point I was happy, and how much of that was just brain burn-in, vs. incessant fiddling with tips/position, but I will say that after about 50 hours of cycled pink noise and another 24 hours of white noise they had settled for me to where they've more or less stayed. They may have changed slightly in the last 100 hours of burn, but that could just as easily be psychosomatic.
Gah, EDIT 2: To answer your question about the type of music... listening to Skrillex or Bassnectar through these makes me want to laugh like a child, and Owl City makes me smile. I think you'll be very happy with them for electronic music and vocals across the board.