aimlink
Headphoneus Supremus
- Joined
- Dec 31, 2008
- Posts
- 2,659
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- 29
Quote:
Nope. Those just didn't work. The base of the triflange is too big for my ears, so I snipped those off and tried the biflange configuration. Still no joy.
I'm finding that I get a snap, easy seal with the medium sized dark tips. The foamies offer no improvement in sound, but instead, less comfort.
The silicones just slip right out. I can't understand how those work for others. OTOH, the rubbery finish of the dark tips make for a less slippery surface.
Additionally, I've encountered the sibilance that some have mentioned. This seems to be recording dependent, rather than a consistent issue. Additionally, there are times when the sound comes uncomfortably right at you, being too present (right in your ear drum). Again, this seems to be recording dependent and determined by how the engineer has chosen to separate the different sound contributions. There are some recordings that are just lush and even. There are others where you're going along enjoying the quality and then an instrumental contribution appears right there... too present for comfort, leading to some fatiguing. That presence of sound can be really accentuated with the Westones, contributing to some sibilance as well.
Originally Posted by tstarn06 /img/forum/go_quote.gif Will be interested to hear your comparison. Do you also use the tri-flange sleeves with the W3s? |
Nope. Those just didn't work. The base of the triflange is too big for my ears, so I snipped those off and tried the biflange configuration. Still no joy.
I'm finding that I get a snap, easy seal with the medium sized dark tips. The foamies offer no improvement in sound, but instead, less comfort.
The silicones just slip right out. I can't understand how those work for others. OTOH, the rubbery finish of the dark tips make for a less slippery surface.
Additionally, I've encountered the sibilance that some have mentioned. This seems to be recording dependent, rather than a consistent issue. Additionally, there are times when the sound comes uncomfortably right at you, being too present (right in your ear drum). Again, this seems to be recording dependent and determined by how the engineer has chosen to separate the different sound contributions. There are some recordings that are just lush and even. There are others where you're going along enjoying the quality and then an instrumental contribution appears right there... too present for comfort, leading to some fatiguing. That presence of sound can be really accentuated with the Westones, contributing to some sibilance as well.