Brent Hutto
100+ Head-Fier
- Joined
- Aug 19, 2005
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Perhaps I'm parsing your comments wrong, tdockweiler, but it sounds like your impression bottom lines to brighter=better.
Perhaps I'm parsing your comments wrong, tdockweiler, but it sounds like your impression bottom lines to brighter=better.
Well I had an interesting night. I've found something really disturbing about my HD-650 and swapping between various amps. It's a real shocker for me.
First thing I did was get out an old favorite, the Total Airhead. I wanted to see if it could drive the HD-650. It does with ease. When it's going over-voltage it will yell at you with it's blinking red light. When I had the K701 and OLD HD-600 years ago, it would constantly do this. I couldn't put the volume very high when I connected the old HD-600 to it. Someone at Headfonia suggested that the HD-650 could possibly be easier to drive than the old versions and they're maybe right. I used the Airhead for over an hour and it didn't blink the red light once. I could crank it super loud. I was really baffled by this. What the heck?!
It gets worse..one thing I noticed is that on the Airhead the mids were the most forward sounding compared to the Asgard and E9. In terms of sound clarity for the HD-650 I'd rank from best to worst as Airhead > E9 > Asgard. Yes, you got that right! Everything was so crystal clear on the Airhead. Then the Airhead offered the largest soundstage. The E9 was a very close second. Nearly the same size. They were so similar it was hard to tell.
If the Airhead wasn't "bad" enough, the terrible thing also offered the most treble! It almost made my silver screened HD-650 kind of bright.
I'm listening to the Airhead + HD-650 and it's like a whole other headphone. The E9 is far, far more neutral though, but the sound is less clear, but almost impossible to tell. I'm loving the more forward sounding mids on the HD-650. I always got this impression on my DJ100 when I felt it had perfect synergy with my Airhead!
Anyone use Headroom's full sized amps with the HD-650? Maybe they sound very similar. HD-650 just sounds so good out of this tiny Airhead. Never would have thought this and it actually has very good bass. Not lacking in any areas so far.
Yesterday I was complaining how on my HD-650 and E9 this Cyril Morin soundtrack (Valley of Flowers) sounded like a muffled mess on the HD-650 (and not the K702) and now it sounds far better and it's now more clear.
EDIT:
Can't get over how much brighter these are with the Airhead. Not in a negative way because I like it. I finally got the red light to blink and it was only during a very bass heavy song. This Airhead is holding up well! The mids now feel almost as forward sounding as the HD-598 mids. I think it's safe to say the Airhead isn't a neutral amp. Maybe I should get the Headroom Micro Amp (not the battery powered one) and try it out. I'm now almost impressed with the HD-650, but not quite...yet.
He did seem to like the HD600's more than the HD650's for a while there. And I think the 600's are brighter than the 650's.
Brightness or lack of with the HD650's is related to your amp your DAC ( source equipment) and your cables. The HD650 has always been viewed as a veiled headphone I myself do not get that much veil with my setup and actually prefer the 650's to my LCD-2's on some music..
Perhaps I'm parsing your comments wrong, tdockweiler, but it sounds like your impression bottom lines to brighter=better.
Wading through a lot of info at the moment but hoping someone here has had experience with the following amps and can comment on their synergy with the HD650 -
- WooAudio 2/6/6-SE
- Darkvoice 337
Which amp would present best bang for buck? Also particularly interested to know how the Lyr stacks up against these options when paired with the HD650.
He did seem to like the HD600's more than the HD650's for a while there. And I think the 600's are brighter than the 650's.
I personally preferred the HE-6 over the HE-5 (never heard the HE-5LE)...and I prefer the (recabled) HD650 over the HE-6 (all things considered...comfort, sound, build quality).
The HE-5LE is a smoother, bassier version of the HE-5 yes. That doesn't appeal to me too much. I personally didn't find the HE-6 bright...they had less treble than the HD800 (but more than the LCD-2). The HE-6 were good but a bit underpowered in my setup at the time (it has changed since). Still, the recabled HD650s sounded just as good to me if not better for some music while the HE-6 took the lead on other tracks. I posted a comparison earlier in this thread somewhere. The main reason I sold the HE-6 was because of its terrible comfort...same as the LCD-2. I know some people can wear them without discomfort but I can't go for more than 30-40 minutes without my scalp feeling the pressure.
The LCD-2 I've only heard at meets, so I'm not in a position to compare them to the HD650. They felt a bit closed-in to me in comparison, but very similar to the HD650 otherwise with better speed and maybe detail. Both orthos I feel paint a larger wall of sound than the 650...though their soundstage isn't as *deep* or layered as the dynamics I've owned. I think I prefer the LCD-2 over the HE-6 a bit (from what I've heard of the LCD-2).
Both orthos I feel paint a larger wall of sound than the 650...though their soundstage isn't as *deep* or layered as the dynamics I've owned.
Wading through a lot of info at the moment but hoping someone here has had experience with the following amps and can comment on their synergy with the HD650 -
- WooAudio 2/6/6-SE
- Darkvoice 337
Which amp would present best bang for buck? Also particularly interested to know how the Lyr stacks up against these options when paired with the HD650.
Quote:
Comfort, like the right amount of top-end, is something you just can't compromise on. I think the HE-6 and T1s just rubbed me the wrong way. I found both uncomfortably brighter than the HD800s, maybe both emphasize a particular frequency that I happen to be particularly sensitive to? Thankfully, neither the K701s nor the HD800s aggravate that sensitivity, albiet only with tubes. (I did try the others on tubes as well.)
I can't afford the luxury of buying all these headphones for longer auditions (just like I can't afford to give each a perfectly synergistic set-up for each audition). Meet impressions are my only option, so I try to listen critically when given the chance. All that said though, I think first impressions are pretty good ones, you find out most of what a headphone's about the moment you don them. Plus you get to try them with a variety of amps, that's a luxury you don't have at home (unless you're that rich, I guess.)