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I shall celebrate the day treble heads are made to hang their heads in shame as bassheads are made to in this time. Treble heads that care little about music will love some of the ear damaging treble that some cans crap out.
Seriously, why is it that most anything that's relatively flat past 60hz derided as bass heavy, bloated, and uncivilized? Elevated treble will change the tone of an instrument in much the same manner, but receives little criticism, and often praise instead. I'm not saying either side is right. They are both personal opinion and preference. They can't be right
or wrong. Why are the bass heads considered the barbarians at the gates? I don't tell people who prefer the opposite tonal balance that they "care little about the music". By that logic we should all be listening to stereo typical dead flat, 'clinical', and 'lifeless' monitor units unless we "care little about the music".
Look at how similar these FR curves are.
Since nearly $1200 separate the street prices of these 'phones lets ignore the quality of the sound just focus on the quantity since it would be rather unfair to do otherwise. With such small differences in the FR, what yields such a different tonal balance between the HD800s and the D2000s? The difference is in the slope of the curves. The HD800s have more mid and upper bass than the D2000s but gently falls off below about 150hz. The D2000s slope in the
opposite direction with more low bass and less mid and upper bass quickly falling off after 30hz, which is lower than a lot of music goes. I find this to be a good thing for two reasons. First, as the sensitivity of your hearing drops off, it makes sense for response to rise - especially if you don't listen at ear bleeding volumes. The second is that bass is as much
felt as it is heard. Speakers (and live music) produce enough bass to be felt by the whole body, while headphones do not. In order to approximate the same overall
perception (not just the sound) an elevation of the bass response is necessary. This does make a compromise in the
sound to enhance the
feeling. It is a necessary compromise in headphone audio.
Some people prefer to give the sound nearly 100% while others prefer the feeling to the same extant. Generally I'm somewhere in the middle, but it depends on what type of music I'm listening to. What are different headphones for after all? Since its impossible to make a headphone that does both perfectly, a compromise must be made somewhere, and its placement falls to preference. Both are a legitimate part of the music and neither side can be really be said to correct or neutral since the full experience requires both in equal measure which is not possible given current headphone technology.