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Popular Classical Music
- Thread starter Light - Man
- Start date
Pokemonn
1000+ Head-Fier
I am feeling good this morning after walking park near my house.
Mozart is best for early summer.
https://www.nbcnews.com/better/health/why-walking-most-underrated-form-exercise-ncna797271
https://consumer.healthday.com/3-24...nds-bring-healing-study-finds-2651144585.html
Mozart is best for early summer.
https://www.nbcnews.com/better/health/why-walking-most-underrated-form-exercise-ncna797271
https://consumer.healthday.com/3-24...nds-bring-healing-study-finds-2651144585.html
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Light - Man
Headphoneus Supremus
Julia Trintschuk - Classical Guitar | Bach, Scarlatti, Piazzolla & Satie
00:00 Julia Trintschuk plays Largo from BWV1005 by Johann Sebastian Bach on a 1958 Fleta03:04 Julia Trintschuk plays Oblivion by Astor Piazzolla on a 2020 Mario Sicca
07:30 Julia Trintschuk plays Gnossienne No. 1 by Eric Satie on a 2004 Pepe Romero JR
11:17 Julia Trintschuk plays Toccata K.141 by Domenico Scarlatti on a 2013 Antonius Mülle
Luis Mad
Headphoneus Supremus
I love Dvorak!
Antonín Dvořák - Zigeunermelodien op. 55 | Manfred Honeck | WDR Sinfonieorchester
Luis Mad
Headphoneus Supremus
Beethoven - Piano Sonata No. 30 (Elisabeth Leonskaja)
Pokemonn
1000+ Head-Fier
maybe one of a good tune for a tad sleepy but fine lovely morning wakes up! (at least for me! this tune make me happy smile. coz remind me my kid's ages brass band good memories!)
English Folk Song Suite: III. March (Folk Songs from Somerset) · North Texas Wind Symphony
English Folk Song Suite: III. March (Folk Songs from Somerset) · North Texas Wind Symphony
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Luis Mad
Headphoneus Supremus
Khatia Buniatishvili plays Franz Liszt's Liebestraum No. 3 | Verbier Festival 2011
Luis Mad
Headphoneus Supremus
Brahms: Sinfonía nº 2 - James Conlon - Orquesta Sinfónica de Galicia
"Orchestra of the Age of Enlightenment" double bassist Cecelia Bruggemeyer explains what period instruments are and why we play on them.
Luis Mad
Headphoneus Supremus
Igor Levit im Livestream aus der Tonhalle Düsseldorf - Re-Upload
JOHANNES BRAHMS 6 Choralvorspiele (arr. Ferruccio Busoni) LUDWIG VAN BEETHOVEN Klaviersonate Nr. 31 As-Dur, Op.110 JOHANNES BRAHMS Vier ernste Gesänge (arr. Max Reger)Luis Mad
Headphoneus Supremus
Symphonia Domestica / Richard Strauss / André Previn / Oslo Philharmonic
Light - Man
Headphoneus Supremus
Last night's Friday concert from the NCH, Dublin. I have seen Pianist Finghin Collins play several times over the years and also spoke to him, he is a clever pleasant guy and I would consider him World class.
Friday May 7th - Finghin Collins directs concerti by Mozart and Haydn with the RTÉ NSO LIVE
Paul Herriott presents from the stage of the National Concert Hall where the musicians of the RTÉ National Symphony Orchestra are joined by pianist Finghin Collins, directing from the piano.
Originally composed 'for the harpsichord or forte-piano', Haydn’s last keyboard concerto, the Eleventh in D, became the most popular of his 40 concertos during his lifetime. And no wonder, with its sparkling keyboard writing and poetic sense of well-being capped by an animated finale infused with dazzling Gypsy vitality and colour.
Mozart’s appropriately titled Jeunehomme Piano Concerto – his Ninth – was composed on the cusp of the prodigy turning 21 and is regarded as his first truly mature masterpiece. From the start, the piano carries itself with all the confident brio, mischievous wit and capacity to surprise that seems to be the very personification of Mozart himself. Despite its modest forces it boasts a bracing sense of scale and spaciousness with an aching aria-like middle movement of becoming pathos and dark-hued beauty.
Read more in tonight's Programme Notes
Mozart Piano Concerto No. 9 in E-flat major 'Jeunehomme'
Haydn Piano Concerto no. 11 in D Hob. XVIII/11
RTÉ National Symphony Orchestra
Finghin Collins (piano/director)
The Intro starts at 2' 15''
Friday May 7th - Finghin Collins directs concerti by Mozart and Haydn with the RTÉ NSO LIVE
Paul Herriott presents from the stage of the National Concert Hall where the musicians of the RTÉ National Symphony Orchestra are joined by pianist Finghin Collins, directing from the piano.
Originally composed 'for the harpsichord or forte-piano', Haydn’s last keyboard concerto, the Eleventh in D, became the most popular of his 40 concertos during his lifetime. And no wonder, with its sparkling keyboard writing and poetic sense of well-being capped by an animated finale infused with dazzling Gypsy vitality and colour.
Mozart’s appropriately titled Jeunehomme Piano Concerto – his Ninth – was composed on the cusp of the prodigy turning 21 and is regarded as his first truly mature masterpiece. From the start, the piano carries itself with all the confident brio, mischievous wit and capacity to surprise that seems to be the very personification of Mozart himself. Despite its modest forces it boasts a bracing sense of scale and spaciousness with an aching aria-like middle movement of becoming pathos and dark-hued beauty.
Read more in tonight's Programme Notes
Mozart Piano Concerto No. 9 in E-flat major 'Jeunehomme'
Haydn Piano Concerto no. 11 in D Hob. XVIII/11
RTÉ National Symphony Orchestra
Finghin Collins (piano/director)
The Intro starts at 2' 15''
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fractus2
Headphoneus Supremus
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Beaux Arts Trio
Schumann: The Complete Piano Trios/Piano Quartet/Piano Quintet
1. Sehr lebhaft
2. Mit innigem Ausdruck
3. In mässiger Bewegung
4. Nicht zu rasch
Schumann: The Complete Piano Trios/Piano Quartet/Piano Quintet
1. Sehr lebhaft
2. Mit innigem Ausdruck
3. In mässiger Bewegung
4. Nicht zu rasch
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