[Ryokan]

Beata Viscera - Perotin

 

[Pokemonn]

I am feeling good this morning after walking park near my house.
Mozart is best for early summer.



https://www.nbcnews.com/better/health/why-walking-most-underrated-form-exercise-ncna797271
https://consumer.healthday.com/3-24...nds-bring-healing-study-finds-2651144585.html

 

[Light - Man]

Julia Trintschuk - Classical Guitar | Bach, Scarlatti, Piazzolla & Satie​

00:00 Julia Trintschuk plays Largo from BWV1005 by Johann Sebastian Bach on a 1958 Fleta
03:04 Julia Trintschuk plays Oblivion by Astor Piazzolla on a 2020 Mario Sicca
07:30 Julia Trintschuk plays Gnossienne No. 1 by Eric Satie on a 2004 Pepe Romero JR
11:17 Julia Trintschuk plays Toccata K.141 by Domenico Scarlatti on a 2013 Antonius Mülle

 

[Luis Mad]

I love Dvorak!

Antonín Dvořák - Zigeunermelodien op. 55 | Manfred Honeck | WDR Sinfonieorchester​

 

[Luis Mad]

Beethoven - Piano Sonata No. 30 (Elisabeth Leonskaja)​

 

[FullBright1]

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[Pokemonn]

maybe one of a good tune for a tad sleepy but fine lovely morning wakes up! (at least for me! this tune make me happy smile. coz remind me my kid's ages brass band good memories!)

English Folk Song Suite: III. March (Folk Songs from Somerset) · North Texas Wind Symphony

 

[Luis Mad]

Khatia Buniatishvili plays Franz Liszt's Liebestraum No. 3 | Verbier Festival 2011​

 

[Luis Mad]

Brahms: Sinfonía nº 2 - James Conlon - Orquesta Sinfónica de Galicia​

 

[wskl]

"Orchestra of the Age of Enlightenment" double bassist Cecelia Bruggemeyer explains what period instruments are and why we play on them.

 

[Luis Mad]

Igor Levit im Livestream aus der Tonhalle Düsseldorf - Re-Upload​

JOHANNES BRAHMS 6 Choralvorspiele (arr. Ferruccio Busoni) LUDWIG VAN BEETHOVEN Klaviersonate Nr. 31 As-Dur, Op.110 JOHANNES BRAHMS Vier ernste Gesänge (arr. Max Reger)

 

[Luis Mad]

Symphonia Domestica / Richard Strauss / André Previn / Oslo Philharmonic​

 

[Light - Man]

Last night's Friday concert from the NCH, Dublin. I have seen Pianist Finghin Collins play several times over the years and also spoke to him, he is a clever pleasant guy and I would consider him World class.

Friday May 7th - Finghin Collins directs concerti by Mozart and Haydn with the RTÉ NSO LIVE

Paul Herriott presents from the stage of the National Concert Hall where the musicians of the RTÉ National Symphony Orchestra are joined by pianist Finghin Collins, directing from the piano.

Originally composed 'for the harpsichord or forte-piano', Haydn’s last keyboard concerto, the Eleventh in D, became the most popular of his 40 concertos during his lifetime. And no wonder, with its sparkling keyboard writing and poetic sense of well-being capped by an animated finale infused with dazzling Gypsy vitality and colour.

Mozart’s appropriately titled Jeunehomme Piano Concerto – his Ninth – was composed on the cusp of the prodigy turning 21 and is regarded as his first truly mature masterpiece. From the start, the piano carries itself with all the confident brio, mischievous wit and capacity to surprise that seems to be the very personification of Mozart himself. Despite its modest forces it boasts a bracing sense of scale and spaciousness with an aching aria-like middle movement of becoming pathos and dark-hued beauty.

Read more in tonight's Programme Notes

Mozart Piano Concerto No. 9 in E-flat major 'Jeunehomme'
Haydn Piano Concerto no. 11 in D Hob. XVIII/11

RTÉ National Symphony Orchestra
Finghin Collins (piano/director)

The Intro starts at 2' 15''

 

[fractus2]

Beaux Arts Trio
Schumann: The Complete Piano Trios/Piano Quartet/Piano Quintet

1. Sehr lebhaft
2. Mit innigem Ausdruck
3. In mässiger Bewegung
4. Nicht zu rasch

 

[FullBright1]