I'd be happy to get them with just that denim box. Not bothered about a lovely shiny box, just the sound!
$899 sans box?
Great idea, sell it with no case, even just a pouch hehe
I'd be happy to get them with just that denim box. Not bothered about a lovely shiny box, just the sound!
$899 sans box?
Exactly..
Knowing there is a "better" version of quality feel,
And knowing you have the "cheaper" compromised version of it, will keep that upgrade itch in your mind..
I think the P2 will sell for less and have lesser materials and probably minus the stellar box but be identical and may have an different cable.. I think it will be a big seller at the lesser price. The build on the P1 is something. Their wa no compromise in designing it properly and built to last. Still getting better and have more hours. The soundstage is more open and bass is now tight and defined with texture. I will switch back and forth with pads. I like the musicality and it is improving.
Bigshot, very surprised to hear the velours pads don't make any noticeable difference on the sound. Normally, you'd expect quite a bit of attenuation from the mids up when using velours pads.
The pads sit all around and on the opposite side of your ears than the channel the sound goes down into your head. Maybe other folks have ears shaped so it makes a difference, but with me, the sound goes straight down my ear canal. The pads aren't even close to there.
It might make a little difference with isolation, but for listening, it measured the same frequency response for me and my buddy who helped me EQ.
Also... yes, the leatherette pads appear to be perforated.
With well recorded music, "accurate" and "realistic" are one and the same.
Getting back to the PM-1s... I would say that these headphones are for people who listen to well recorded music, not folks who often listen to music whose engineering is sloppy. The response of these headphones is very accurate, which with well recorded music translates to realistic. Especially with classical music and jazz which is typically recorded very well. But if the recording isn't perfectly balanced from the start, headphones that can be described as having "fat bass", "detailed treble" or "in your face mids" might correct for the deficiencies in the recordings.
The other alternative for those who listen to imbalanced recordings is to start with balanced headphones like the PM-1s and then use an equalizer plugin to compensate for poorly balanced frequency response. The PM-1 have more than enough latitude to correct for even the most imbalanced recordings. This would be a lot more flexible than EQing by buying headphones with specific colorations. Doing that might require a half dozen different cans for the range of different sorts of sloppy recordings.
Since you have both PM-1 and HE-560 please answer easy and simple question are HE-560 light and comfortable as PM-1 are?
[Speaker talk snipped by mod]
Also. could I ask you to comment on the timbral accuracy of the PM-1 when it comes to reproducing things like pianos, violins, etc., especially wrt the leading edge of the sound and the decay, b/c this is what sets GREAT headphones apart from the merely GOOD.
Yeah, isn't it Science and Engineering that brings us Headphone, DACS, Amps, etc. that we enjoy whinging about?
I'm hoping that some store in NYC will carry the PM-1 in stock soon, so I can give them a listening to.