I was new to this Hobby of ours and did not know too much about DSD so bought 24Bit 352Khz from HD Tracks, did a search for classic or must have Jazz albums.
So the very first two purchases were Jazz at the Pawnshop and Miles Davis "Kind of Blue" both in ALAC 24/352
Both of which I now own as a SACD discs for safe keeping, both ripped to my library as FLAC 24/192, FLAC 24/352 and DSD128 (again was experimenting when ripping)
My choice for flexibility now is FLAC 24/192 this way it plays on all my devices.
No I was talking about
Jazz at the Pawnshop
I thought there was only ever 11 tracks, then discovered there was a Jazz at the Pawnshop 2 then found this gem.
I have a Sony P3 (early version FW3.5 and software to rip SACD) so made sense for me
My first DSD tracks actually from Blue Coast Records, and though they sound great, certainly not the type of music I'd listen to often.
What interested me in the Jazz at the Pawnshop was that EVERYBODY knows about it, I never heard it until this week, and the insane setup the guy's at Native DSD used to create separate digital audio streams.
Believe it or not, the SACD most likely won't sound as good as the new NativeDSD separate DSD64/DSD128/256/DXD versions, but WILL sound better than previous versions.
I'm just glad you're enjoying it regardless.
I also wanted DSD from music I listen to, and I do own Hybrid SACD's of Pink Floyd's Dark Side of the Moon and Nine Inch Nails' The Downward Spiral, so was eager to try these out on the DP-X1 in SACD to DSD rips (which were done last year).
24/96 and 24/192 are still excellent high quality digital mediums, and work on most gear from the last three years (approx).
I still have lots of above CD quality stuff (24 bit minimum) but most of my music is Redbook CDDA (CD) quality, simply because my music tastes are in that format.
That said, artists are releasing music in greater than CD quality, such as Ben Lukas Boysen's new upcoming album
Spells ^^
I also tried Heir Audio 3 Ais with original cable on SE, the sound is impressive. :etysmile:
Though I still wish to upgrade to the Noble Audio K10 CIEM's (yes, even after hearing about the amazing Empire Ears), I still love my Dr Moulton handmade Heir Audio 4.Ai IEM's (before he left to form Noble Audio).
To hear these IEM's in the finest gear I can muster is gobsmackingly awesome!
These IEM's do trump my Audeze EL8 Titanium (new 2016 EL8 series) in micro details, but my EL8 Ti's are new and I'm burning them in by using them.
Happy everything worked out for you! Do you mind me asking what you paid in addition to the $45 return postage. Ie sending the unit to Japan?
I'll find out once I find my receipt, about £22 I think from memory...
BTW, i get plenty of power with lcd-3. using default balanced cable with ebay 4 pin balanced to 2.5mm trrs adapter.. volume at 122 and it sounds pretty loud!
The power of the DP-X1 in high gain BTL balanced is very loud indeed, though AGC is sonically better at a small loss of power. Either mode, resolving power is nuts.
That said, in a heartbeat and if I could I'd get the ALO Audio Continental Dual Mono, get a Double Helix Cables 2.5 mm to 2.5 mm balanced interconnect, use DP-X1 balanced and send signal into 2.5 mm CDM balanced input, for the ultimate balanced rig!
Or get a Cavalli Audio Carbon v2
I love the crystalline clarity of the Delta-Sigma based DP-X1 <3