wink
His amps are made out of recycled beer cans
and his source from tomatos.
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AKG K1000, Ergo AMT, Jecklin Float.
I am 56 and have been a hobbyist since my 20s and naturally have moved from speakers to headphones. Back to an earlier post about manufacturers of high end systems not coming down from their lofty perches, it is refreshing to see certain head-fi manufacturers like Centrance seeking the participation of their end users.
However when it comes to headphone manufacturers they seem less willing. You can buy a car and choose the color, the engine capacity, the trim and fitting levels etc. But not headphone manufacturers with their one size fits all philosophy.
Let me digress a moment. I have a large head and long (vertical length) ears. We Chinese believe that long ears mean good fortunes so ...
And here I'm talking of over-ear headphones, not on-ears, IEMs custom or otherwise, none of which suits me. To me, comfort first, audio quality second, heresy though it may sound (pardon the pun).
Anyway manufacturers claim their headphones suit x% of the population but what about the others. Is it so difficult to design ear pads with different sizes for the same model? By all means, qualify in your marketing brochure what a smaller or larger, or deeper or more shallow ear pads means to the sound. But give us a choice. Is that so difficult? I can live with only one size if driver housing but for Pete's sake (sorry to all Peters) give the people the choice.
The countless headphones I've owned and given away, all because of the too small for me earpads, include Beyer DT880 (comfy velour notwithstanding), Philips L1 (small), Sony MDR1R (shallow), AKG K550 (huge ear pad but small ear cavity), Audio Technica ATH AD700 (I can live with the purple), ATH-M50, etc
So right now all my headphones have larger ear pad cavities (LCD2, HD600/750, Denon D2000 to name a few).
Hope this is not off topic, Michael. It's a pet peeve of mine.
I'm contemplating a HE-500 but due to the earpad size, I'm trying to see what effect on the sound there is if I use LCD2 pads on them. The quite well rated original Momentum doesn't even get me excited when normal sized reviewers keep on mentioning the small ear cups. C'mon, different color trim is for dem young 'uns.
Great article, Mike. Including the earlier one re Personal Audio. I alsways pay attention to your posts on almost every thread on head-fi or elsewhere. Keep them coming
I think a lot of people have this idea that the difference between hi-fi and consumer cheapos is subtle and only something those "audiophile people" would hear. Some people even regard the whole thing as dubious and believe that there actually isn't a difference at all. Then, when they actually hear it for themselves and realize that they can hear the difference and it's not subtle, that's when the lightbulb goes off.
It's up to us to keep lighting those bulbs.
Good article, thanks for posting. In the age of "personal audio" really starting to truly take over, I am still very surprised that more young people like some of my coworkers have never heard of this place or even thought about high-end audio. I have been doing hi-fi for so long that it's baseline at this point and it's hard to think that I can throw cheap Grados at someone and blow their mind anymore, but it happens all the time.
OT sort of, but Grado SR125's got me started in the hobby. Well, those and and iPod, and knowing that there were better headphones than the iBuds. Those were the days - a $300 iPod and a $150 or so pair of Grados that I could just barely justify. Now I have 2 portable rigs worth over $1,000, and my stuff qualifies as small potatoes! Of course, compared to what a speaker rig of the same quality would cost, my stuff is very small potatoes.
i come from the land of "Hi-Fi"
i'm spending a lot less money, and having a lot more fun !
I remember Sam Tellig (in an article on Stereophile on a product review of the HD600) saying that if you want the same sound quality in speakers you need to add a zero to the price tag.
I remember Sam Tellig (in an article on Stereophile on a product review of the HD600) saying that if you want the same sound quality in speakers you need to add a zero to the price tag.
A couple of thoughts came to mind last night about all this. One is that the paradigm shifts have come about from things outside the hobby that have become part of it as a result. The iPhone is the most obvious one. The Beats "audio jewellery" is another. Maybe not dissimilarly headphones, being on the edge of the world of high-end audio are causing the paradigm shift there, slowly.
Part of the problem with high-end audio I think comes from a combination of a loss of the old-style hi-fi stores that, with the experience of their owners, could match awesome-sounding systems whatever one's budget. Those that are still around in many cases have trouble moving from spinning media to computer or personal audio, maybe because they'd have to learn a lot of things from scratch.
I sometimes visit one such place here in Fukuoka (Artcrew) where the owner not only knows his way around hi-fi but is very good at modifying components as well. When I was there last he had a SET-amp + horns set-up that was awesome to behold the sound of, even in the inadequately-sized room at the shop (It is currently pictured on their web site). The regular hi-fi store nearby with its usual rack of regular components and speakers all hooked up to a switch box doesn't feel the same. Now I just wish I could win the lottery and own such a set-up.
A couple of thoughts came to mind last night about all this. One is that the paradigm shifts have come about from things outside the hobby that have become part of it as a result. The iPhone is the most obvious one. The Beats "audio jewellery" is another. Maybe not dissimilarly headphones, being on the edge of the world of high-end audio are causing the paradigm shift there, slowly.
Part of the problem with high-end audio I think comes from a combination of a loss of the old-style hi-fi stores that, with the experience of their owners, could match awesome-sounding systems whatever one's budget. Those that are still around in many cases have trouble moving from spinning media to computer or personal audio, maybe because they'd have to learn a lot of things from scratch.
I sometimes visit one such place here in Fukuoka (Artcrew) where the owner not only knows his way around hi-fi but is very good at modifying components as well. When I was there last he had a SET-amp + horns set-up that was awesome to behold the sound of, even in the inadequately-sized room at the shop (It is currently pictured on their web site). The regular hi-fi store nearby with its usual rack of regular components and speakers all hooked up to a switch box doesn't feel the same. Now I just wish I could win the lottery and own such a set-up.