skwoodwiva
500+ Head-Fier
I see it much mooore youR way now.Agreed...also personal preference for certain parts of the music can be a part of this.
My Birthday too
Lets all be friendly
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I see it much mooore youR way now.Agreed...also personal preference for certain parts of the music can be a part of this.
....training doesn't hurt. the only issue with training is that hearing stuff we were missing before, maybe it will please our ego for a time, but mostly now we need gears and settings that won't make that audio artifact audible for us. yesterday we were just fine enjoying our music, and today we're whining about a small background hiss, or some altered response somewhere. I'm not sure this leads toward a happier audiophile.
but if I want to notice something, then I will test myself and try to learn how to notice it. different aim, different choice.
Me neither. ....but i try not to dwell on it(anymore) if the music is worth itI didn't have to train myself to be irritated by sibilance!
Since old recordings tend to have background hiss while modern recordings do not, I prefer modern recordings (that's 1980's or after). I'd say about 95 % of my CD collection is hiss free.background hiss is my nemesis. anytime I move from something with audible hiss to something without, I feel like I've made a bigger jump into HIFI than anybody can do with 32bit music and anti time smearing whatever.
Since old recordings tend to have background hiss while modern recordings do not, I prefer modern recordings (that's 1980's or after). I'd say about 95 % of my CD collection is hiss free.
However, as you all know, my nemesis is excessive stereo separation with headphones and only about 2 % of my CD collection is free of that. Fortunately crossfeed saves the day.
Talking about the importance of 24 bit consumer audio and avoidance of reconstruction filter time smearing is silly.
the only issue with training is that hearing stuff we were missing before ... I'm not sure this leads toward a happier audiophile.
Hiss doesn't bother me at all if it's consistent. But most sound engineers who master older material for CD fade hiss out to digital silence and then ramp it up at the beginning of the next song. That always irritates me. When I had my own CD label releasing 78 era classical, I would make a point of running the hiss through the track breaks between movements. It was a lot easier on the ears that way.
The only really small thing that drives me up the wall is distortion around 2kHz. Sometimes low data rate MP3s can have a bit of distortion in the most sensitive part of the hearing range. It follows the music and drives me crazy. I have a notch filter I switch in when I run across that.