WilliamLeonhart
Headphoneus Supremus
NwAvGuy doesn't "exist" any longer.
Who keeps that domain online though... Must be an admirer, perhaps. Anw he doesn't exist anymore.
NwAvGuy doesn't "exist" any longer.
Who keeps that domain online though... Must be an admirer, perhaps. Anw he doesn't exist anymore.
well he's still the one who created the O2 ^_^. and I know I found more audio answers in his blog than on any other website, so I recognize the hand that didn't try to feed me BS and will always be grateful. and TBH I didn't buy the O2 because I'm a fanboy(even though I clearly am by now), but because it was the only amp with extended measurements available outside of a few DIY projects.
So far I still think the O2+ODAC is best value for the price. It can't compete with (much) higher ranged amps (like the Aune S16 that I enjoy tremendously), but still, for that price.
So far I still think the O2+ODAC is best value for the price. It can't compete with (much) higher ranged amps (like the Aune S16 that I enjoy tremendously), but still, for that price.
well he's still the one who created the O2 ^_^. and I know I found more audio answers in his blog than on any other website, so I recognize the hand that didn't try to feed me BS and will always be grateful. and TBH I didn't buy the O2 because I'm a fanboy(even though I clearly am by now), but because it was the only amp with extended measurements available outside of a few DIY projects.
So far I still think the O2+ODAC is best value for the price. It can't compete with (much) higher ranged amps (like the Aune S16 that I enjoy tremendously), but still, for that price.
<snip>
Of course, if by "can't compete" you mean in terms of "sound likeability", that's entirely subjective as that's in the realm of non-transparency or coloration...Which of course O2 would be beaten easily...
Peace bro...![]()
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Gotta wonder what you mean by "beaten easily" ?
And I gotta disagree that it would be, "Carver Challenge" style.
The thing is, I've never quite understood "transparency", but to me the S16 (as a DAC + amp) gives a more detailed and airy sound than the O2+ODAC that I own. Also, there's a feeling that it suffers from less noise and jitters. That's entirely subjective, of course, I can't prove it. I have never leaned too much on the technical side of things, but what I got told is that the S16 has better USB input (and better other components) than the O2+ODAC. Then again, people can customize their O2, so still there's stuffs for argument.
And don't get me wrong. As I said earlier, the O2+ODAC is still the best valued amp/dac that I've ever seen. Which means that if someone tells me to choose between the S16 and the O2+ODAC for free, I'd go with the S16. But is the S16 worth 2 times the price of the O2+ODAC (I can have the S16 for $500), then it's a big no. I also will have to buy an amp for the S16 too.
The thing is, I've never quite understood "transparency", but to me the S16 (as a DAC + amp) gives a more detailed and airy sound than the O2+ODAC that I own. Also, there's a feeling that it suffers from less noise and jitters. That's entirely subjective, of course, I can't prove it. I have never leaned too much on the technical side of things, but what I got told is that the S16 has better USB input (and better other components) than the O2+ODAC. Then again, people can customize their O2, so still there's stuffs for argument.
And don't get me wrong. As I said earlier, the O2+ODAC is still the best valued amp/dac that I've ever seen. Which means that if someone tells me to choose between the S16 and the O2+ODAC for free, I'd go with the S16. But is the S16 worth 2 times the price of the O2+ODAC (I can have the S16 for $500), then it's a big no. I also will have to buy an amp for the S16 too.
Technically transparency means an amp is capable of reproducing the signal fed from it's input with almost exact shape when it comes out of the ouput (most with bigger amplitude). transparency usually is synonymous to accuracy.
Most people judge audio gear by ears alone which is definitely the least reliable way (but easily the most satisfying for majority.) Why? because everyone has a different reference of what a good sound is. Old folks who grew up with tubes and vinyl will have those gears as reference for good sound. Younger generations who grew up with MP3s normally would take something that sound louder as better.
Take your case for example, S16 in pure technical perspective is already flawed having a 30 ohm output impedance as mentioned earlier. It's been established that high OI affects the FR response for dynamic-driver based headphones at low load impedance like the grados which I can see you are using.
I have nothing against you liking the amp for what it sound paired with your headphones. But as far as accuracy goes, the S16 definitely is not.
Personally, having a transparent/accurate amp makes my life simple when choosing headphones because I am assured that what I hear is exactly what the headphone is designed for. Same goes with the source. I can hear esactly how the source was created mastered. It's both a curse and a gift because excellent source sounds equally excellent. Same goes with bad source (masters as well).
If you look at the amp forums, you can see people spend a lot of time trying as many amp as possible. Then try as many headphone combinations. I'm not saying it's a bad thing because as a hobby it could be a very nice experience. Especially for people who has time. But I don't want to spend nor have a lot of time to spend looking for the gears I want.